 | Directed by | Darko Mitrevski Cinematography by ~ Klaus Fuxjäger Cameras | ARRI ALEXA Camera |
Search Results: Alexa | 1848 Titles
Treto poluvreme (2012)
Musallat 2: Lanet (2011)
 | Directed by | Alper Mestçi Cinematography by ~ Türksoy Gölebeyi Cameras | ARRI ALEXA Camera |
Zenne Dancer (2012)
 | Directed by | Caner Alper, Mehmet Binay Cinematography by ~ Norayr Kasper Cameras | ARRI ALEXA Camera |
The Five-Year Engagement (2012)
 | Directed by | Nicholas Stoller Cinematography by ~ Javier Aguirresarobe Cameras | ARRI ALEXA Camera Lenses | Zeiss Master Prime Lenses |
Killer Joe (2011)
 | Directed by | William Friedkin Cinematography by ~ Caleb Deschanel Cameras | ARRI ALEXA Camera Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses |
R.I.P.D. (2013)
 | Directed by | Robert Schwentke Cinematography by ~ Alwin H. Küchler Cameras | ARRI ALEXA Camera Lenses | Zeiss Master Prime Lenses |
47 Ronin (2013)
 | Directed by | Carl Rinsch Cinematography by ~ John Mathieson Cameras | ARRI ALEXA Camera |
Shut Up and Play the Hits (2012)
 | Directed by | Will Lovelace, Dylan Southern Cinematography by ~ Reed Morano Cameras | ARRI ALEXA Camera |
Chronicle (2012)
 | Directed by | Josh Trank Cinematography by ~ Matthew Jensen Cameras | ARRI ALEXA Camera, Canon Vixia HF M30 Camera, Canon XL1 Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Gambit (2012)
 | Directed by | Michael Hoffman Cinematography by ~ Florian Ballhaus Cameras | ARRI ALEXA Camera Lenses | Leitz Summilux-C Series Lenses |
Gangster Squad (2013)
 | Directed by | Ruben Fleischer Cinematography by ~ Dion Beebe Cameras | ARRI ALEXA Studio Camera, Phantom Flex Camera Lenses | Panavision G Series Anamorphic Lenses |
Gods Behaving Badly (2013)
 | Directed by | Marc Turtletaub Cinematography by ~ Tak Fujimoto Cameras | ARRI ALEXA Camera |
Revenge (2011)
 | Cameras | ARRI ALEXA Camera, Sony PMW-F3 Camera |
The Best Offer (2013)
 | Directed by | Giuseppe Tornatore Cinematography by ~ Fabio Zamarion Cameras | ARRI ALEXA Studio Camera, Red Epic Camera Lenses | Zeiss Master Prime Lenses |
This Is 40 (2012)
 | Directed by | Judd Apatow Cinematography by ~ Phedon Papamichael Cameras | ARRI ALEXA Camera |
Hypnotisören (2012)
 | Directed by | Lasse Hallström Cinematography by ~ Mattias Montero Cameras | ARRI ALEXA Studio Camera Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses |
The Pact (2012)
 | Directed by | Nicholas McCarthy Cinematography by ~ Bridger Nielson Cameras | ARRI ALEXA Camera |
Russendisko (2012)
 | Directed by | Oliver Ziegenbalg Cinematography by ~ Tetsuo Nagata Cameras | ARRI ALEXA Camera |
Hello I Must Be Going (2012)
 | Directed by | Todd Louiso Cinematography by ~ Julie Kirkwood Cameras | ARRI ALEXA Camera Lenses | Zeiss Ultra Prime Lenses |
Life of Pi (2012)
 | Directed by | Ang Lee Cinematography by ~ Claudio Miranda Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
