 | Directed by | Adam Shankman Cinematography by ~ Bojan Bazelli Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Search Results: Alexa | 1848 Titles
Rock of Ages (2012)
Odd Girl Out (2005)
 | Directed by | Tom McLoughlin Cinematography by ~ John S. Bartley |
Walkout (2006)
 | Directed by | Edward James Olmos Cinematography by ~ Donald M. Morgan |
Outpost: Black Sun (2012)
 | Directed by | Steve Barker Cinematography by ~ Darran Tiernan Cameras | ARRI ALEXA Camera |
Amour (2012)
 | Directed by | Michael Haneke Cinematography by ~ Darius Khondji Cameras | ARRI ALEXA Camera Lenses | Cooke 5/i Lenses, Cooke S4 Lenses |
The Bunglers (2012)
 | Directed by | Glenn Camhi Cinematography by ~ Stephan Dalyai Cameras | ARRI ALEXA Camera Lenses | Zeiss Ultra Prime Lenses |
The First Aggregate (2012)
Young Adult (2011)
 | Directed by | Jason Reitman Cinematography by ~ Eric Steelberg Cameras | ARRI ALEXA Camera Lenses | Cooke S4 Lenses |
My Brother the Devil (2012)
 | Directed by | Sally El Hosaini Cinematography by ~ David Raedeker Cameras | ARRI ALEXA Camera Lenses | Cooke S4 Lenses |
Twice Born (2012)
 | Directed by | Sergio Castellitto Cinematography by ~ Gian Filippo Corticelli Cameras | ARRI ALEXA Plus Camera |
L’exercice de l’État (2011)
 | Directed by | Pierre Schoeller Cinematography by ~ Julien Hirsch Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses |
Repo! The Genetic Opera (2008)
 | Directed by | Darren Lynn Bousman Cinematography by ~ Joseph White Cameras | Panavision Genesis Camera Lenses | Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses |
Comes a Bright Day (2012)
 | Directed by | Simon Aboud Cinematography by ~ John Lynch Cameras | ARRI ALEXA Camera |
Death of a Superhero (2011)
 | Directed by | Ian Fitzgibbon Cinematography by ~ Tom Fährmann Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera Lenses | Zeiss Ultra Prime Lenses |
Trishna (2011)
 | Directed by | Michael Winterbottom Cinematography by ~ Marcel Zyskind Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Red One Camera, Red One MX Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Sparkle (2012)
 | Directed by | Salim Akil Cinematography by ~ Anastas N. Michos Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
A Few Best Men (2011)
 | Directed by | Stephan Elliott Cinematography by ~ Stephen F. Windon Cameras | ARRI ALEXA Camera Lenses | Zeiss Master Prime Lenses |
Korpus (2011)
 | Directed by | Flo Linus Baumann Cinematography by ~ Sebastian Weber Cameras | ARRI ALEXA Camera |
The Iceman (2012)
 | Directed by | Ariel Vromen Cinematography by ~ Bobby Bukowski Cameras | ARRI ALEXA Plus Camera, Canon EOS-7D Camera Lenses | Panavision Lenses, Panavision Ultra Speed MKII Lenses |
Divorce Invitation (2012)
 | Directed by | S.V. Krishna Reddy Cinematography by ~ Brad Rushing Cameras | ARRI ALEXA Camera |
