 | Directed by | Nicolas Winding Refn Cinematography by ~ Newton Thomas Sigel Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Iconix HD-RH1 Camera, Weisscam HS-2 Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses |
Search Results: Alexa | 1848 Titles
Drive (2011)
21 Jump Street (2012)
 | Directed by | Phil Lord, Christopher Miller Cinematography by ~ Barry Peterson Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera |
Quiz (2012)
 | Directed by | Dick Maas Cinematography by ~ Piotr Kukla Cameras | ARRI ALEXA Camera |
[REC] 3: Genesis (2012)
 | Directed by | Paco Plaza Cinematography by ~ Pablo Rosso Cameras | ARRI ALEXA Camera Lenses | Hawk V-Lite Lenses |
Les infidèles (2012)
Snabba cash II (2012)
 | Directed by | Babak Najafi Cinematography by ~ Aril Wretblad Cameras | ARRI ALEXA Camera |
Downton Abbey (2010)
 | Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Spy Kids (2001)
 | Directed by | Robert Rodriguez Cinematography by ~ Guillermo Navarro |
Page Eight (2011)
 | Directed by | David Hare Cinematography by ~ Martin Ruhe Cameras | ARRI ALEXA Camera Lenses | Hawk V-Lite Lenses |
Tepenin Ardi (2012)
 | Directed by | Emin Alper Cinematography by ~ George Chiper Cameras | ARRI ALEXA Camera |
Good Deeds (2012)
 | Directed by | Tyler Perry Cinematography by ~ Alexander Gruszynski Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses |
The Hangover Part II (2011)
 | Directed by | Todd Phillips Cinematography by ~ Lawrence Sher Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera Lenses | Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses |
Bienvenue à bord (2011)
 | Directed by | Eric Lavaine Cinematography by ~ Stéphane Le Parc Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Robot & Frank (2012)
 | Directed by | Jake Schreier Cinematography by ~ Matthew J. Lloyd Cameras | ARRI ALEXA Camera Lenses | Cooke S4 Lenses |
Pitch Perfect (2012)
 | Directed by | Jason Moore Cinematography by ~ Julio Macat Cameras | ARRI ALEXA Camera |
Rampart (2011)
 | Directed by | Oren Moverman Cinematography by ~ Bobby Bukowski Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses |
Farewell, My Queen (2012)
 | Directed by | Benoît Jacquot Cinematography by ~ Romain Winding Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
Men in Black 3 (2012)
 | Directed by | Barry Sonnenfeld Cinematography by ~ Bill Pope Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
Lærkevej – til døden os skiller (2012)
 | Directed by | Mogens Hagedorn Cinematography by ~ Søren Bay Cameras | ARRI ALEXA Plus Camera |
