 | Directed by | James Wan Cinematography by ~ John R. Leonetti Cameras | ARRI ALEXA Camera |
Search Results: Alexa | 1848 Titles
Insidious: Chapter 2 (2013)
Prince Avalanche (2013)
 | Directed by | David Gordon Green Cinematography by ~ Tim Orr Cameras | ARRI ALEXA Camera Lenses | Bausch & Lomb Super Baltar Lenses |
The Canyons (2013)
 | Directed by | Paul Schrader Cinematography by ~ John DeFazio Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera Lenses | Asahi Pentax Super Takumar Lenses, KMZ Helios 44 58 mm f1.2, LZOS Jupiter-9 85 mm f2.0, Zeiss Standard Speed Prime Lenses |
The Finder (2012)
 | Cameras | ARRI ALEXA Camera |
The Family (2013)
All Is Lost (2013)
 | Directed by | J.C. Chandor Cinematography by ~ Frank G. DeMarco, Peter Zuccarini Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses |
Last Vegas (2013)
 | Directed by | Jon Turteltaub Cinematography by ~ David Hennings Cameras | ARRI ALEXA Camera Lenses | Panavision Primo Primes Spherical Lenses |
The Best Man Holiday (2013)
 | Directed by | Malcolm D. Lee Cinematography by ~ Greg Gardiner Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses |
Frau Ella (2013)
Vatertage – Opa über Nacht (2012)
Anchorman 2: The Legend Continues (2013)
 | Directed by | Adam McKay Cinematography by ~ Oliver Wood Cameras | ARRI ALEXA Camera Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses |
Les Kaïra (2012)
 | Directed by | Franck Gastambide Cinematography by ~ Antoine Marteau Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens |
Une nuit (2012)
 | Directed by | Philippe Lefebvre Cinematography by ~ Jérôme Alméras Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
Glamour Dolls (2016)
 | Directed by | John De Luca Cinematography by ~ Graham Martyr Starring | Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Red One MX Camera Lenses | Zeiss Lenses, Zeiss Super Speed Lenses |
The Returned (2012)
 | Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
That Awkward Moment (2014)
 | Directed by | Tom Gormican Cinematography by ~ Brandon Trost Cameras | ARRI ALEXA Plus Camera |
Boss (2011)
 | Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Vampire Academy (2014)
 | Directed by | Mark Waters Cinematography by ~ Tony Pierce-Roberts Cameras | ARRI ALEXA Camera |
Winter’s Tale (2014)
 | Directed by | Akiva Goldsman Cinematography by ~ Caleb Deschanel Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses |
