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Oceans & Seas | 10 Titles

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The Man with the Golden Gun (1974)

Motion Picture | 2D | Film Project | Color | 1.66:1, 1.85:1 | 125 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore, Oswald Morris | Editing by | Raymond Poulton, John Shirley

Starring | Roger Moore, Christopher Lee, Britt Ekland, Maud Adams

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses | Panavision Super Speed Lenses

Diamonds Are Forever (1971)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 120 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, John W. Holmes

Starring | Sean Connery, Jill St. John, Charles Gray, Lana Wood

Cameras | ARRIFLEX 35 IIA Camera, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses, Panavision Lenses

The Man in Room 6 (2022)

Motion Picture | 2D | 6K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 152 Minutes

Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger

Starring | Jackie Kelly, Bill Oberst Jr., David Wassilak

Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera

Lenses | Rokinon Lenses, SLR Magic Lenses

Mutiny on the Bounty (1935)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 132 Minutes

Directed by | Frank Lloyd | Cinematography by | Arthur Edeson, Charles G. Clarke, Sidney Wagner | Editing by | Margaret Booth

Starring | Charles Laughton, Clark Gable, Franchot Tone, Herbert Mundin

Human (2015)

Documentary | 2D | HD Project | Color | 1.85:1 | 190 Minutes

Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla

Starring | Luis Cancu, Atman, Berthony, Bruno

Cameras | ARRI ALEXA M Camera, Canon EOS-C300 Camera, Red Epic Camera, Sony HDC-1500 Camera

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens

Enter the Dragon (1973)

Motion Picture | 2D | Color | 102 Minutes

Directed by | Robert Clouse | Cinematography by | Gil Hubbs | Editing by | Kurt Hirschler, George Watters, Peter Cheung

Starring | Bruce Lee, John Saxon, Jim Kelly, Ahna Capri

Cameras | ARRIFLEX 35 IIC Camera

Lenses | Angenieux Lenses

All Is Lost (2013)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco, Peter Zuccarini | Editing by | Pete Beaudreau

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Captain Phillips (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Tom Hanks, Barkhad Abdi, Barkhad Abdirahman, Catherine Keener

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Home (2009)

Motion Picture | 2D | Color | 120 Minutes

Home | ShotOnWhat?

Directed by | Yann Arthus-Bertrand | Cinematography by | Michel Benjamin, Dominique Gentil | Editing by | Yen Le Van

Starring | Yann Arthus-Bertrand, Glenn Close, Jacques Gamblin

Cameras | Cineflex V14HD Camera

The Last Reef 3D (2012)

Motion Picture | 3D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 40 Minutes

The Last Reef 3D | ShotOnWhat?

Directed by | Luke Cresswell, Steve McNicholas | Cinematography by | D.J. Roller | Editing by | Luke Cresswell, Steve McNicholas

Cameras | IMAX Cameras, Red Digital Cinema Cameras, Spacecam Aerial Cameras

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