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Directed by | Spike Lee Cinematography by ~ Chayse Irvin Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses |
Search Results: Aaton Penelope | 54 Titles
BlacKkKlansman (2018)
Coriolanus (2011)
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Directed by | Ralph Fiennes Cinematography by ~ Barry Ackroyd Cameras | Aaton Penelope Camera Lenses | Angenieux Optimo Zoom Lenses |
First Man (2018)
Marley (2012)
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Directed by | Kevin Macdonald Cinematography by ~ Mike Eley, Alwin H. Küchler, Wally Pfister Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, Canon EOS-5D Mark II Camera |
Captain Phillips (2013)
Something in the Air (2012)
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Directed by | Olivier Assayas Cinematography by ~ Eric Gautier Cameras | Aaton 35-III Camera, Aaton Penelope Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses |
Le dernier des injustes (2013)
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Directed by | Claude Lanzmann Cinematography by ~ Caroline Champetier, William Lubtchansky Cameras | Aaton Penelope Camera, Aaton Xterà Camera Lenses | Angenieux Optimo 17-80 mm T2.2 Lens |
Jason Bourne (2016)
The Fighter (2010)
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Directed by | David O. Russell Cinematography by ~ Hoyte Van Hoytema Cameras | Aaton Penelope Camera, Sony BVP-900 Camera, Sony BVP-950 Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses |
The Next Three Days (2010)
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Directed by | Paul Haggis Cinematography by ~ Stéphane Fontaine Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera |
Contraband (2012)
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Directed by | Baltasar Kormákur Cinematography by ~ Barry Ackroyd Cameras | Aaton Penelope Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses |
Elite Squad: The Enemy Within (2010)
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Directed by | José Padilha Cinematography by ~ Lula Carvalho Cameras | Aaton Penelope Camera Lenses | Cooke S4 Lenses |
Neighboring Sounds (2012)
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Directed by | Kleber Mendonça Filho Cinematography by ~ Pedro Sotero, Fabricio Tadeu Cameras | Aaton Penelope Camera, ARRIFLEX Camera, Canon EOS-5D Mark II Camera Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses |
Rundskop (2011)
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Directed by | Michaël R. Roskam Cinematography by ~ Nicolas Karakatsanis Cameras | Aaton Penelope Camera Lenses | Zeiss Master Prime Lenses |
Un amour de jeunesse (2011)
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Directed by | Mia Hansen-Løve Cinematography by ~ Stéphane Fontaine Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses |
The Clink of Ice (2010)
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Directed by | Bertrand Blier Cinematography by ~ François Catonné Cameras | Aaton Penelope Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses |
La délicatesse (2011)
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Directed by | David Foenkinos, Stéphane Foenkinos Cinematography by ~ Rémy Chevrin Cameras | Aaton Penelope Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses |
The Innkeepers (2011)
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Directed by | Ti West Cinematography by ~ Eliot Rockett Cameras | Aaton Penelope Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
The Intouchables (2011)
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Directed by | Olivier Nakache, Éric Toledano Cinematography by ~ Mathieu Vadepied Cameras | Aaton Penelope Camera, ARRI ALEXA Camera, ARRIFLEX 435 Camera Lenses | Panavision Primo Anamorphic Lenses |
On the Road (2012)
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Directed by | Walter Salles Cinematography by ~ Eric Gautier Cameras | Aaton Penelope Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens |
