Christina Lee Storm

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Seventh Son | ShotOnWhat?

Manager Of Digital Production: Rhythm & Hues Studios

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

R.I.P.D. | ShotOnWhat?

Manager Of Digital Production: Rhythm & Hues Studios

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Percy Jackson: Sea of Monsters | ShotOnWhat?

Manager Of Digital Production: Rhythm & Hues Studios

Percy Jackson: Sea of Monsters (2013)

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Hunger Games | ShotOnWhat?

Production And Technical Support: Rhythm & Hues Studios

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Snow White and the Huntsman | ShotOnWhat?

Production And Technical Support: Rhythm & Hues Studios

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Chronicle | ShotOnWhat?

Production And Technical Support: Rhythm & Hues Studios

Chronicle (2012)

Directed by: Josh Trank

Cinematography by: Matthew Jensen

Edited by: Elliot Greenberg

Cameras: ARRI ALEXA Camera, Canon Vixia HF M30 Camera, Canon XL1 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Life of Pi | ShotOnWhat?

Manager Of Digital Production: Rhythm & Hues Studios

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Artist | ShotOnWhat?

Production Supervisor

The Artist (2011)

Directed by: Michel Hazanavicius

Cinematography by: Guillaume Schiffman

Edited by: Anne-Sophie Bion, Michel Hazanavicius

Cameras: ARRIFLEX 435 ES Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

To Save a Life | ShotOnWhat?

Co-producer, Production Manager

To Save a Life (2009)

Directed by: Brian Baugh

Cinematography by: C. Clifford Jones

Edited by: Dan O'Brien, Sarah Sanders

Cameras: Red One Camera

Lenses: Angenieux Lenses, Zeiss Lenses, Zeiss Super Speed Lenses

Imaginary Heroes | ShotOnWhat?

Production Supervisor: Los Angeles

Imaginary Heroes (2004)

Directed by: Dan Harris

Cinematography by: Tim Orr

Edited by: James Lyons

Kiss the Bride | ShotOnWhat?

Production Coordinator

Kiss the Bride (2002)

Directed by: Vanessa Parise

Cinematography by: Rob Sweeney

Edited by: Sam Citron, Lois Freeman-Fox

Am zin | ShotOnWhat?

Co-producer

Am zin (1999)

Directed by: Johnnie To

Cinematography by: Siu-Keung Cheng

Edited by: Chi Wai Chan

Intersection | ShotOnWhat?

Assistant: Mr. Golchan

Intersection (1994)

Directed by: Mark Rydell

Cinematography by: Vilmos Zsigmond

Edited by: Mark Warner

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