Fx Department Manager: MPC
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera
Lenses: Panavision Primo Digital Lenses
Lighting Department Coordinator: MPC
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Fx Department Manager: MPC
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Fx Department Manager: MPC
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Fx Department Manager: MPC
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Visual Effects Line Producer: Framestore CFC
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Manager
L'écume des jours (2013)
Directed by: Michel Gondry
Cinematography by: Christophe Beaucarne
Edited by: Marie-Charlotte Moreau
Cameras: Red Epic Camera
Visual Effects Production Manager: Mikros Image
9 mois ferme (2013)
Directed by: Albert Dupontel
Cinematography by: Vincent Mathias
Edited by: Christophe Pinel
Cameras: Red Epic Camera
Vfx Production Manager: Mikros Image
Rust and Bone (2012)
Directed by: Jacques Audiard
Cinematography by: Stéphane Fontaine
Edited by: Juliette Welfling
Cameras: Red Epic Camera
Visual Effects Production Manager: Mikros Image
Mais qui a re-tué Pamela Rose? (2012)
Cinematography by: Régis Blondeau
Edited by: Elodie Codaccioni
Cameras: ARRI ALEXA Camera
Digital Effects Coordinator: Peerless Camera Company
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Coordinator
Blood: The Last Vampire (2009)
Directed by: Chris Nahon
Cinematography by: Hang-Sang Poon
Edited by: Marco Cavé
Cameras: ARRI Cameras, ARRIFLEX 435 Xtreme Camera
