Senior Compositing Artist
'Dark' Crossroads (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Senior Compositing Artist
'Dark' Secrets (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Senior Compositing Artist
'Dark' Sic Mundus Creatus Est (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Senior Compositing Artist
'Dark' Truths (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Senior Compositing Artist
'Dark' Double Lives (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Senior Compositing Artist
'Dark' Past and Present (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Senior Compositing Artist
'Dark' Lies (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Senior Compositing Artist
'Dark' Alpha and Omega (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Senior Compositing Artist
'Dark' Everything Is Now (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Senior Compositing Artist
'Dark' As You Sow, so You Shall Reap (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Senior Compositing Artist - 10 Episodes, 2017
Dark (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses: Zeiss Ultra Prime Lenses
Compositing Artist: Trixter
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Digital Compositor: Trixter Film
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Stereoscopic Compositor: Trixter Film
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Digital Compositor: Trixter Film
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Senior Compositor: ARRI Digital Film
Pandorum (2009)
Directed by: Christian Alvart
Cinematography by: Wedigo von Schultzendorff
Digital Compositor: Trixter Film
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Digital Compositor / Digital Painter
The Medallion (2003)
Directed by: Gordon Chan
Cinematography by: Arthur Wong
Assistant Compositor: Das Werk
The Pianist (2002)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
