Data I/o: DNEG
Glass Onion (2022)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Mini LF Camera
Data I/o: DNEG
'Stranger Things' Chapter One: The Hellfire Club (2022)
Cinematography by: Caleb Heymann
Edited by: Dean Zimmerman
Data I/o: DNEG
'Stranger Things' Chapter Four: Dear Billy (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Edited by: Dean Zimmerman
Data I/o: DNEG
'Stranger Things' Chapter Three: The Monster and the Superhero (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Data I/o: DNEG
'Stranger Things' Chapter Five: The Nina Project (2022)
Directed by: Nimród Antal
Cinematography by: Caleb Heymann
Data I/o: DNEG
'Stranger Things' Chapter Six: The Dive (2022)
Directed by: Nimród Antal
Cinematography by: Caleb Heymann
Data I/o: DNEG
'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)
Cinematography by: Caleb Heymann
Data I/o: DNEG
'Stranger Things' Chapter Nine: The Piggyback (2022)
Cinematography by: Caleb Heymann
Data I/o: DNEG
The Matrix Resurrections (2021)
Directed by: Lana Wachowski
Edited by: Joseph Jett Sally
Cameras: Red Komodo Camera
Data I/o: DNEG
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Data I/o: DNEG
Wonder Woman 1984 (2020)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Data I/o: DNEG
'Westworld' Crisis Theory (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Andrew Seklir
Data I/o: DNEG
'Westworld' Passed Pawn (2020)
Directed by: Helen Shaver
Cinematography by: Matt Flannery
Edited by: Anna Hauger
Data I/o: DNEG
'Westworld' Decoherence (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Ali Comperchio
Data I/o: DNEG
'Westworld' Genre (2020)
Directed by: Anna Foerster
Cinematography by: Zoë White
Edited by: Andrew Seklir
Data I/o: DNEG
'Westworld' The Mother of Exiles (2020)
Directed by: Paul Cameron
Cinematography by: John Grillo
Edited by: Anna Hauger
Data I/o: DNEG
'Westworld' The Absence of Field (2020)
Directed by: Amanda Marsalis
Cinematography by: Zoë White
Edited by: Ali Comperchio
Data I/o: DNEG
'Westworld' The Winter Line (2020)
Directed by: Richard J. Lewis
Cinematography by: John Grillo
Edited by: Andrew Seklir
Data I/o: DNEG
'Westworld' Parce Domine (2020)
Directed by: Jonathan Nolan
Cinematography by: Paul Cameron
Edited by: Stephen Semel
Data I/o: DNEG
The Art of Racing in the Rain (2019)
Directed by: Simon Curtis
Cinematography by: Ross Emery
Edited by: Adam Recht
Cameras: ARRI ALEXA SXT EV Cameras
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
Studio Io: Double Negative
First Man (2018)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Data I/o: DNEG
Annihilation (2018)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Barney Pilling
Data I/o: DNEG
Bad Times at the El Royale (2018)
Directed by: Drew Goddard
Cinematography by: Seamus McGarvey
Edited by: Lisa Lassek
Data I/o: DNEG
Mission: Impossible - Fallout (2018)
Directed by: Christopher McQuarrie
Cinematography by: Rob Hardy
Edited by: Eddie Hamilton
Data I/o: DNEG
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Data I/o: DNEG
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Data I/o: DNEG
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Data I/o: DNEG
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Data I/o: DNEG - 1 Episode, 2022
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Data I/o: DNEG - 8 Episodes, 2020
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Data I/o: DNEG
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera