Mitch C. Duran

13 Titles

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Bright | ShotOnWhat?

Special Effects

Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Special Effects Technician

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Suicide Squad | ShotOnWhat?

Special Effects Technician

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Star Trek Beyond | ShotOnWhat?

Special Effects Technician

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Crimson Peak | ShotOnWhat?

Special Effects Technician

Crimson Peak (2015)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Green Room | ShotOnWhat?

Special Effects Technician

Green Room (2015)

Directed by: Jeremy Saulnier

Cinematography by: Sean Porter

Edited by: Julia Bloch

Cameras: ARRI ALEXA Camera

Lenses: Cooke Lenses, Cooke Speed Panchro Lenses

Winter's Tale | ShotOnWhat?

Special Effects Technician

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Xi you ji: Da nao tian gong | ShotOnWhat?

Special Effects Technician

Xi you ji: Da nao tian gong (2014)

Directed by: Soi Cheang

Cinematography by: Man Po Cheung, Tao Yang

Edited by: Ka-Fai Cheung

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Zeiss Master Prime Lenses

After Earth | ShotOnWhat?

Special Effects Technician

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Riddick | ShotOnWhat?

Special Effects Technician

Riddick (2013)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Tracy Adams

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Ender's Game | ShotOnWhat?

Special Effects Technician

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

The Three Stooges | ShotOnWhat?

Special Effects Technician

The Three Stooges (2012)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Creature | ShotOnWhat?

Special Effects Technician

Creature (2011)

Directed by: Fred Andrews

Cinematography by: Christopher Faloona

Edited by: Chris Conlee

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