Digital Compositor
'The Blacklist' The Pharmacist (No. 124) (2019)
Directed by: Daniel Willis
Edited by: Orlando Machado Jr.
Compositor: The Molecule
Hold the Dark (2018)
Directed by: Jeremy Saulnier
Cinematography by: Magnus Nordenhof Jønck
Edited by: Julia Bloch
Cameras: Red Epic Dragon Camera
Lenses: Hawk V-Plus Lenses
Digital Compositor
'The Americans' Tchaikovsky (2018)
Directed by: Matthew Rhys
Cinematography by: J.B. Smith
Edited by: Daniel A. Valverde
Digital Compositor
'The Americans' Mr. and Mrs. Teacup (2018)
Directed by: Roxann Dawson
Cinematography by: J.B. Smith
Edited by: Amanda Pollack
Digital Compositor
'The Americans' Urban Transport Planning (2018)
Directed by: Daniel Attias
Cinematography by: Dan Stoloff
Edited by: Katie Ennis
Digital Compositor
'The Americans' The Great Patriotic War (2018)
Directed by: Thomas Schlamme
Cinematography by: Dan Stoloff
Edited by: Daniel A. Valverde
Digital Compositor
'The Americans' Rififi (2018)
Directed by: Kevin Bray
Cinematography by: J.B. Smith
Edited by: Katie Ennis
Digital Compositor
'The Americans' Harvest (2018)
Directed by: Stefan Schwartz
Cinematography by: Dan Stoloff
Edited by: Amanda Pollack
Digital Compositor
'The Americans' The Summit (2018)
Directed by: Sylvain White
Cinematography by: J.B. Smith
Digital Compositor
'The Americans' START (2018)
Directed by: Chris Long
Cinematography by: Dan Stoloff
Edited by: Daniel A. Valverde
Digital Compositor
'The Americans' Dead Hand (2018)
Directed by: Chris Long
Cinematography by: J.B. Smith
Edited by: Amanda Pollack
Digital Compositor
'The Americans' Jennings, Elizabeth (2018)
Directed by: Chris Long
Cinematography by: Dan Stoloff
Edited by: Amanda Pollack
Rotoscope Artist: Method Studios
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Compositor
Papillon (2017)
Directed by: Michael Noer
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor
'The Americans' Pastor Tim (2016)
Directed by: Chris Long
Cinematography by: Alex Nepomniaschy
Edited by: Amanda Pollack
Digital Compositor
'Royal Pains' Uninterrupted (2016)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Digital Compositor
'The Americans' Chloramphenicol (2016)
Directed by: Stefan Schwartz
Cinematography by: Alex Nepomniaschy
Edited by: Daniel A. Valverde
Rotoscope Artist
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Roto Artist
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Roto Artist
Cinderella (2015)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Rotoscope Artist
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Artist
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Roto Artist
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Roto Artist
Unbroken (2014)
Directed by: Angelina Jolie
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Roto Artist
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Digital Compositor - 2 Episodes, 2019
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Digital Compositor - 12 Episodes, 2016-2018
The Americans (2013)
Directed by: Chris Long, Daniel Sackheim, Thomas Schlamme, Daniel Attias, Stefan Schwartz, Kevin Dowling, Nicole Kassell, Adam Arkin, Noah Emmerich, Matthew Rhys, John Dahl, Andrew Bernstein, Steph Green, Kevin Bray, Roxann Dawson, Sylvain White, Alex Chapple, Holly Dale, Jean de Segonzac, Bill Johnson, Jim McKay, Gavin O'Connor, Gregory Hoblit, Lodge Kerrigan, Constantine Makris, Alik Sakharov, Charlotte Sieling, Larysa Kondracki, Christopher Misiano, Stephen Williams, Kari Skogland, Gwyneth Horder-Payton
Cinematography by: Richard Rutkowski, J.B. Smith, Alex Nepomniaschy, Dan Stoloff, Alan Caso, Radium Cheung
Edited by: Daniel A. Valverde, Amanda Pollack, Michael Berenbaum, Sheri Bylander, Katie Ennis, Marnee Meyer, Alan Cody
Cameras: ARRI ALEXA Camera
Digital Compositor - 1 Episode, 2016
Royal Pains (2009)
Directed by: Michael Rauch, Matthew Penn, Jay Chandrasekhar, Emile B. Levisetti, Constantine Makris, Michael W. Watkins, Ed Fraiman, Mark Feuerstein, Allison Liddi-Brown, Don Scardino, Jace Alexander, Tawnia McKiernan, Janice Cooke, Paulo Costanzo, Joe Collins, Dennie Gordon, Ken Whittingham, Charles McClelland, Ken Girotti, Bronwen Hughes, Eric Laneuville, Dennis Smith, Wendey Stanzler, Tricia Brock, Kevin Dowling, Lara Shapiro, Michael B. Silver, Brendan Walsh
Cinematography by: Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary
Edited by: Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
