John Wildermuth

26 Titles

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Bright | ShotOnWhat?

First Assistant Director: Second Unit

Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

Allegiant | ShotOnWhat?

Co-producer, First Assistant Director

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Dracula Untold | ShotOnWhat?

First Assistant Director

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

2 Guns | ShotOnWhat?

First Assistant Director

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Safe House | ShotOnWhat?

First Assistant Director

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Marmaduke | ShotOnWhat?

First Assistant Director

Marmaduke (2010)

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

The Taking of Pelham 1 2 3 | ShotOnWhat?

Associate Producer, First Assistant Director

The Taking of Pelham 123 (2009)

Directed by: Tony Scott

Cinematography by: Tobias A. Schliessler

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Deja Vu | ShotOnWhat?

First Assistant Director

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Domino | ShotOnWhat?

First Assistant Director

Domino (2005)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

In Her Shoes | ShotOnWhat?

First Assistant Director

In Her Shoes (2005)

Directed by: Curtis Hanson

Cinematography by: Terry Stacey

Edited by: Lisa Zeno Churgin, Craig Kitson

Man on Fire | ShotOnWhat?

First Assistant Director

Man on Fire (2004)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Spy Game | ShotOnWhat?

First Assistant Director

Spy Game (2001)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Boogie Nights | ShotOnWhat?

First Assistant Director

Boogie Nights (1997)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Moviecam Compact Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Carried Away | ShotOnWhat?

First Assistant Director

Carried Away (1996)

Directed by: Bruno Barreto

Cinematography by: Declan Quinn

Edited by: Bruce Cannon

The Fan | ShotOnWhat?

Second Assistant Director

The Fan (1996)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson, Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Crimson Tide | ShotOnWhat?

Second Assistant Director

Crimson Tide (1995)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

North | ShotOnWhat?

Second Assistant Director

North (1994)

Directed by: Rob Reiner

Cinematography by: Adam Greenberg

Edited by: Robert Leighton

I.Q. | ShotOnWhat?

Second Assistant Director

I.Q. (1994)

Directed by: Fred Schepisi

Cinematography by: Ian Baker

Edited by: Jill Bilcock

Relentless IV: Ashes to Ashes | ShotOnWhat?

First Assistant Director

Relentless IV: Ashes to Ashes (1994)

Direct to Video

Directed by: Oley Sassone

Cinematography by: Russ Brandt

Edited by: Glenn Garland

RoboCop 3 | ShotOnWhat?

Second Assistant Director

RoboCop 3 (1993)

Directed by: Fred Dekker

Cinematography by: Gary B. Kibbe

Edited by: Bert Lovitt

12:01 | ShotOnWhat?

Second Assistant Director

12:01 (1993)

Television Movie

Directed by: Jack Sholder

Cinematography by: Anghel Decca

Edited by: Michael N. Knue

Body of Evidence | ShotOnWhat?

Second Assistant Director

Body of Evidence (1992)

Directed by: Uli Edel

Cinematography by: Douglas Milsome

Edited by: Thom Noble

Cameras: ARRIFLEX Camera

Lenses: ARRI Lenses

The Indian Runner | ShotOnWhat?

Key Second Assistant Director

The Indian Runner (1991)

Directed by: Sean Penn

Cinematography by: Anthony B. Richmond

Edited by: Jay Cassidy

Oscar | ShotOnWhat?

Second Assistant Director

Oscar (1991)

Directed by: John Landis

Cinematography by: Mac Ahlberg

Edited by: Dale Beldin

Warlock | ShotOnWhat?

Production Assistant

Warlock (1989)

Directed by: Steve Miner

Cinematography by: David Eggby

Edited by: David Finfer

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Blue Velvet | ShotOnWhat?

Key Production Assistant

Blue Velvet (1986)

Directed by: David Lynch

Cinematography by: Frederick Elmes

Edited by: Duwayne Dunham

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