Sound Effects Editor
This Is the End (2013)
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Sound Effects Editor
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Fx Editor
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Supervising Sound Designer
Detention (2011)
Directed by: Joseph Kahn
Cinematography by: Christopher Probst
Edited by: David Blackburn
Sound Effects Editor
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Sound Effects Editor
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Sound Designer
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Sound Effects Editor
Henry Poole Is Here (2008)
Directed by: Mark Pellington
Cinematography by: Eric Schmidt
Edited by: Lisa Zeno Churgin
Additional Sound Designer / Supervising Sound Editor
Torque (2004)
Directed by: Joseph Kahn
Cinematography by: Peter Levy
Sound Effects Editor
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Sound Designer / Sound Effects Editor
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Sound Editor
A Simple Wish (1997)
Directed by: Michael Ritchie
Cinematography by: Ralf D. Bode
Edited by: William S. Scharf
Sound Effects Editor
Most Wanted (1997)
Directed by: David Hogan
Cinematography by: Marc Reshovsky
Cameras: Panavision Cameras
Sound Design Sequence
Fire Down Below (1997)
Directed by: Félix Enríquez Alcalá
Cinematography by: Tom Houghton
Edited by: Robert A. Ferretti
Sound Effects Editor
Bordello of Blood (1996)
Directed by: Gilbert Adler
Cinematography by: Tom Priestley Jr.
Edited by: Stephen Lovejoy
Sound Effects Editor
Johns (1996)
Directed by: Scott Silver
Cinematography by: Tom Richmond
Edited by: Dorian Harris
Sound Effects Editor
Mother Night (1996)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jay Rabinowitz
Sound Designer
Barb Wire (1996)
Directed by: David Hogan
Cinematography by: Rick Bota
Edited by: Peter Schink
Sound Effects Editor
Rumble in the Bronx (1995)
Directed by: Stanley Tong
Cinematography by: Jingle Ma
Edited by: Peter Cheung
Sound Effects Editor
Dead Presidents (1995)
Cinematography by: Lisa Rinzler
Edited by: Dan Lebental
Cameras: Panavision Panaflex Gold II Camera
Sound Effects Editor
Separate Lives (1995)
Directed by: David Madden
Cinematography by: Kees Van Oostrum
Edited by: Janice Hampton
Sound Editor
Jimmy Hollywood (1994)
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Jay Rabinowitz
Sound Effects Editor
Disclosure (1994)
Directed by: Barry Levinson
Cinematography by: Tony Pierce-Roberts
Edited by: Stu Linder
Sound Designer
The Mask (1994)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Edited by: Arthur Coburn
Cameras: Panavision Panaflex Series Cameras
Lenses: Zeiss Lenses
Sound Designer
Dumb and Dumber (1994)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Surviving the Game (1994)
Directed by: Ernest R. Dickerson
Cinematography by: Bojan Bazelli
Edited by: Samuel D. Pollard
Sound Effects Editor
Menace II Society (1993)
Cinematography by: Lisa Rinzler
Edited by: Christopher Koefoed
Sound Effects Editor
12:01 (1993)
Directed by: Jack Sholder
Cinematography by: Anghel Decca
Edited by: Michael N. Knue
Sound Editor
The Opposite Sex and How to Live with Them (1992)
Directed by: Matthew Meshekoff
Cinematography by: Jacek Laskus
Edited by: Adam Weiss
Sound Effects Editor
Fortress (1992)
Directed by: Stuart Gordon
Cinematography by: David Eggby
Edited by: Tim Wellburn
Sound Effects Editor
Me Myself and I (1992)
Directed by: Pablo Ferro
Cinematography by: Michael Sullivan
Edited by: Allen Ferro
Sound Editor
The Cutting Edge (1992)
Directed by: Paul Michael Glaser
Cinematography by: Elliot Davis
Edited by: Michael E. Polakow
Sound Editor
Live Wire (1992)
Directed by: Christian Duguay
Cinematography by: Jeffrey Jur
Edited by: Christopher Greenbury
Sound Editor
Deep Cover (1992)
Directed by: Bill Duke
Cinematography by: Bojan Bazelli
Edited by: John Carter
