Steve Dietl

20 Titles

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Mudbound | ShotOnWhat?

Still Photographer

Mudbound (2017)

Directed by: Dee Rees

Cinematography by: Rachel Morrison

Edited by: Mako Kamitsuna

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

The Love Witch | ShotOnWhat?

Still Photographer

The Love Witch (2016)

Directed by: Anna Biller

Cinematography by: M. David Mullen

Edited by: Anna Biller

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

Keanu | ShotOnWhat?

Still Photographer

Keanu (2016)

Directed by: Peter Atencio

Cinematography by: Jas Shelton

Edited by: Nicholas Monsour

Cameras: ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

The Loft | ShotOnWhat?

Still Photographer

The Loft (2014)

Directed by: Erik Van Looy

Cinematography by: Nicolas Karakatsanis

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Plus Camera

Lenses: Zeiss Master Prime Lenses

Parker | ShotOnWhat?

Additional Still Photographer

Parker (2013)

Directed by: Taylor Hackford

Cinematography by: James M. Muro

Edited by: Mark Warner

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Escape Plan | ShotOnWhat?

Additional Still Photographer

Escape Plan (2013)

Directed by: Mikael Håfström

Cinematography by: Brendan Galvin

Edited by: Elliot Greenberg

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses

Ain't Them Bodies Saints | ShotOnWhat?

Still Photographer

Ain't Them Bodies Saints (2013)

Directed by: David Lowery

Cinematography by: Bradford Young

Edited by: Craig McKay, Jane Rizzo

Cameras: ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses

Temptation: Confessions of a Marriage Counselor | ShotOnWhat?

Additional Still Photographer

Temptation: Confessions of a Marriage Counselor (2013)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Now You See Me | ShotOnWhat?

Additional Still Photographer

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Snitch | ShotOnWhat?

Still Photographer

Snitch (2013)

Directed by: Ric Roman Waugh

Cinematography by: Dana Gonzales

Edited by: Jonathan Chibnall

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Straw Dogs | ShotOnWhat?

Still Photographer

Straw Dogs (2011)

Directed by: Rod Lurie

Cinematography by: Alik Sakharov

Edited by: Sarah Boyd

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Catch .44 | ShotOnWhat?

Still Photographer

Catch .44 (2011)

Directed by: Aaron Harvey

Cinematography by: Jeff Cutter

Edited by: Richard Byard

You and I | ShotOnWhat?

Still Photographer

You and I (2011)

Directed by: Roland Joffé

Cinematography by: Philip Robertson

Edited by: Richard Nord

Shark Night 3D | ShotOnWhat?

Still Photographer

Shark Night 3D (2011)

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Dennis Virkler

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens

Editing System: Avid Editing System

I Spit on Your Grave | ShotOnWhat?

Still Photographer

I Spit on Your Grave (2010)

Directed by: Steven R. Monroe

Cinematography by: Neil Lisk

Edited by: Daniel Duncan

Super | ShotOnWhat?

Still Photographer

Super (2010)

Directed by: James Gunn

Cinematography by: Steve Gainer

Edited by: Cara Silverman

Cameras: Red One Camera

Editing System: Avid Editing System

Skateland | ShotOnWhat?

Still Photographer

Skateland (2010)

Directed by: Anthony Burns

Cinematography by: Peter Simonite

Edited by: Robert Hoffman

Leaves of Grass | ShotOnWhat?

Still Photographer

Leaves of Grass (2009)

Directed by: Tim Blake Nelson

Cinematography by: Roberto Schaefer

Edited by: Michelle Botticelli

Cameras: Red One Camera

Lenses: Angenieux Lenses, Cooke Lenses, Zeiss Lenses

Channels | ShotOnWhat?

Still Photographer

Channels (2008)

Directed by: Nat Christian

Cinematography by: Michael Hardwick

Edited by: Nat Christian, Duane Conder

Autopsy | ShotOnWhat?

Still Photographer

Autopsy (2008)

Directed by: Adam Gierasch

Cinematography by: Anthony B. Richmond

Edited by: Andrew Cohen

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