Visual Effects Supervisor
'Undercovers' The Reason (2012)
Directed by: Stephen Williams
Cinematography by: John B. Aronson
Visual Effects Supervisor
'Undercovers' Pilot (2010)
Directed by: J.J. Abrams
Cinematography by: Michael Bonvillain
Edited by: Mary Jo Markey
Visual Effects Supervisor
'Undercovers' Instructions (2010)
Directed by: Stephen Williams
Edited by: Mark Goldman
Visual Effects Supervisor
'Undercovers' Devices (2010)
Directed by: Tucker Gates
Cinematography by: John B. Aronson
Edited by: Mark Conte
Visual Effects Supervisor
'Undercovers' Jailbreak (2010)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Edited by: Mark Goldman
Visual Effects Supervisor
'Undercovers' Not Without My Daughter (2010)
Directed by: Daniel Attias
Edited by: Christopher Nelson
Visual Effects Supervisor
'Undercovers' Xerxes (2010)
Directed by: Stephen Williams
Edited by: Mark Conte
Visual Effects Supervisor
'Undercovers' Assassin (2010)
Directed by: Brad Anderson
Cinematography by: John B. Aronson
Visual Effects Supervisor
'Undercovers' A Night to Forget (2010)
Directed by: Frederick E.O. Toye
Cinematography by: John B. Aronson
Visual Effects Supervisor
'Undercovers' The Key to It All (2010)
Directed by: Tucker Gates
Cinematography by: John B. Aronson
Visual Effects Supervisor - 13 Episodes, 2010-2012
Undercovers (2010)
Directed by: Stephen Williams, Tucker Gates, J.J. Abrams, Brad Anderson, Daniel Attias, Anthony Hemingway, Jonas Pate, Rosemary Rodriguez, Frederick E.O. Toye, Jeff T. Thomas
Cameras: Red One MX Camera
Computer Graphics Supervisor: Digital Domain
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Computer Graphics Supervisor: Digital Domain
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
CG Color & Lighting Lead: Digital Domain
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Cg Supervisor: Digital Domain
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Lighting Lead
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
CG Effects Animation Lead: Digital Domain
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Digital Artist
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman