Visual Effects Artist
Southpaw (2015)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Visual Effects Artist
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Visual Effects Artist
'The Blacklist' Madeline Pratt (No. 73) (2014)
Directed by: Michael Zinberg
Cinematography by: Michael Caracciolo
Edited by: David Post
Vfx Editor
'The Blacklist' The Judge (No. 57) (2014)
Directed by: Peter Werner
Edited by: Chris Brookshire
Visual Effects Artist
'The Blacklist' Mako Tanida (No. 83) (2014)
Directed by: Michael W. Watkins
Edited by: Nathan Gunn
Visual Effects Artist
'The Blacklist' Ivan (No. 88) (2014)
Directed by: Randy Zisk
Edited by: David Post
Visual Effects Artist
'The Blacklist' Milton Bobbit (No. 135) (2014)
Directed by: Steven A. Adelson
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Visual Effects Artist
'The Blacklist' The Pavlovich Brothers (Nos. 119-122) (2014)
Directed by: Paul A. Edwards
Cinematography by: Arthur Albert
Visual Effects Artist
'The Blacklist' Berlin (No. 8) (2014)
Directed by: Michael Zinberg
Edited by: Nathan Gunn
Visual Effects Artist
'The Blacklist' The Kingmaker (No. 42) (2014)
Directed by: Karen Gaviola
Cinematography by: Michael Caracciolo
Edited by: David Post
Visual Effects Artist
'The Blacklist' Berlin (No. 8): Conclusion (2014)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Visual Effects Artist
'The Blacklist' The Cyprus Agency (No. 64) (2014)
Directed by: Michael W. Watkins
Digital Compositor / Visual Effects Artist
A Walk Among the Tombstones (2014)
Directed by: Scott Frank
Cinematography by: Mihai Malaimare Jr.
Edited by: Jill Savitt
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Visual Effects Artist
'The Blacklist' The Alchemist (No. 101) (2014)
Directed by: Vincent Misiano
Edited by: Chris Brookshire
Visual Effects Artist
'The Blacklist' The Good Samaritan (No. 106) (2014)
Directed by: Dan Lerner
Cinematography by: Arthur Albert
Edited by: David Post
Visual Effects Artist / Vfx Editor - 15 Episodes, 2013-2014
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Visual Effects Artist - 1 Episode, 2013
The Following (2013)
Directed by: Marcos Siega, Nicole Kassell, Joshua Butler, Liz Friedlander, Rob Seidenglanz, Adam Davidson, Phil Abraham, Henry Bronchtein, Nick Gomez, David Von Ancken, Steve Shill, Mary Harron, Gary Love, David McWhirter, David S. Tuttman, Sylvain White
Edited by: Charissa Sanjarernsuithikul, Dexter N. Adriano, Rob Seidenglanz, Matthew Colonna, Todd Desrosiers, Devon Greene, Rosanne Tan, Peter B. Ellis, Mark Manos, Viet Nguyen, Joshua Butler, Tim Tommasino
Lenses: Canon CN-E 30-300 mm T2.95 Lens
Visual Effects Artist
'The Following' The Final Chapter (2013)
Directed by: Marcos Siega
Cinematography by: David S. Tuttman
Edited by: Rob Seidenglanz
Compositor: Pixomondo
Beautiful Creatures (2013)
Directed by: Richard LaGravenese
Cinematography by: Philippe Rousselot
Edited by: David Moritz
Visual Effects Artist
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Visual Effects Artist
'The Blacklist' The Stewmaker (No. 161) (2013)
Directed by: Vincent Misiano
Cinematography by: Frank Prinzi
Edited by: Nathan Gunn
Visual Effects Artist
'The Blacklist' Wujing (No. 84) (2013)
Directed by: Michael W. Watkins
Cinematography by: Frank Prinzi
Edited by: Chris Brookshire
Visual Effects Artist
'The Blacklist' The Freelancer (No. 145) (2013)
Directed by: Jace Alexander
Cinematography by: Frank Prinzi
Edited by: Harvey Rosenstock
Compositor
'Royal Pains' Off-Season Greetings: Part 2 (2012)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Compositor
'Royal Pains' Off-Season Greetings: Part 1 (2012)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Compositor: Worldwide FX
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Compositor: 2D
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
2d Compositor: Worldwide FX
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Digital Artist
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Stereoscopic Conversion Compositor
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Digital Artist
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Compositor - 2 Episodes, 2012
Royal Pains (2009)
Directed by: Michael Rauch, Matthew Penn, Jay Chandrasekhar, Emile B. Levisetti, Constantine Makris, Michael W. Watkins, Ed Fraiman, Mark Feuerstein, Allison Liddi-Brown, Don Scardino, Jace Alexander, Tawnia McKiernan, Janice Cooke, Paulo Costanzo, Joe Collins, Dennie Gordon, Ken Whittingham, Charles McClelland, Ken Girotti, Bronwen Hughes, Eric Laneuville, Dennis Smith, Wendey Stanzler, Tricia Brock, Kevin Dowling, Lara Shapiro, Michael B. Silver, Brendan Walsh
Cinematography by: Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary
Edited by: Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Stereoscopic Conversion Compositor
Kung Fu Panda (2008)
Cinematography by: Yong Duk Jhun
Edited by: Clare Knight
