Dimitri Uradovskiy

19 Titles

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Visual Effects Artist

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

"Stranger Things" Chapter Seven: The Massacre at Hawkins Lab | ShotOnWhat?

Compositing Supervisor: Scanline VFX

'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Nat Fuller, Dean Zimmerman

"Stranger Things" Chapter Eight: Papa | ShotOnWhat?

Compositing Supervisor: Scanline VFX

'Stranger Things' Chapter Eight: Papa (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Katheryn Naranjo

Overlord | ShotOnWhat?

Compositor: Rodeo FX

Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

Senior Visual Effects Artist

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

The Mummy | ShotOnWhat?

Visual Effects Artist

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Greatest Showman | ShotOnWhat?

Digital Compositor: Rodeo FX / Visual Effects Artist

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Alien: Covenant | ShotOnWhat?

Senior Visual Effects Artist

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Senior Visual Effects Artist

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

X-Men: Apocalypse | ShotOnWhat?

Senior Visual Effects Artist

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

The Secret Life of Pets | ShotOnWhat?

Visual Effects Artist

The Secret Life of Pets (2016)

Directed by: Chris Renaud, Yarrow Cheney

Edited by: Ken Schretzmann

Stranger Things | ShotOnWhat?

Compositing Supervisor: Scanline VFX - 2 Episodes, 2022

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Bird People | ShotOnWhat?

Senior Digital Artist: BUF

Bird People (2014)

Directed by: Pascale Ferran

Cinematography by: Julien Hirsch

Edited by: Mathilde Muyard

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Nymphomaniac: Vol. II | ShotOnWhat?

Visual Effects Artist: BUF

Nymphomaniac: Vol. II (2013)

Directed by: Lars von Trier

Cinematography by: Manuel Alberto Claro

Edited by: Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Nymphomaniac: Vol. I | ShotOnWhat?

Visual Effects Artist: BUF

Nymphomaniac: Vol. I (2013)

Directed by: Lars von Trier

Cinematography by: Manuel Alberto Claro

Edited by: Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Lenses

Sur la piste du Marsupilami | ShotOnWhat?

Senior Digital Artist: BUF

Sur la piste du Marsupilami (2012)

Directed by: Alain Chabat

Cinematography by: Laurent Dailland

Edited by: Maryline Monthieux

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Thor | ShotOnWhat?

Cg Senior Artist: BUF

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Darkest Hour | ShotOnWhat?

Visual Effects Artist: BUF

The Darkest Hour (2011)

Directed by: Chris Gorak

Cinematography by: Scott Kevan

Edited by: Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Arthur 3: la guerre des deux mondes | ShotOnWhat?

Digital Artist

Arthur 3: la guerre des deux mondes (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Stéphane Garnier, Julien Rey

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