Production Manager: Austria
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Production Manager: Switzerland
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Production Manager
Asterix and Obelix vs. Caesar (1999)
Directed by: Claude Zidi
Cinematography by: Tony Pierce-Roberts
Cameras: Panavision Cameras
Location Production Manager
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Location Production Manager
GoldenEye (1995)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Production Manager: Alpine Unit
Frankenstein (1994)
Directed by: Kenneth Branagh
Cinematography by: Roger Pratt
Edited by: Andrew Marcus
Production Manager
The Bear (1988)
Directed by: Jean-Jacques Annaud
Cinematography by: Philippe Rousselot
Edited by: Noëlle Boisson
Production Manager
The Living Daylights (1987)
Directed by: John Glen
Cinematography by: Alec Mills
Cameras: ARRI Cameras
Production Supervisor
Babes in Toyland (1986)
Directed by: Clive Donner
Cinematography by: Arthur Ibbetson
Edited by: Susan Heick
Cameras: ARRI Cameras
Production Manager
Five Days One Summer (1982)
Directed by: Fred Zinnemann
Cinematography by: Giuseppe Rotunno
Edited by: Stuart Baird
Cameras: Panavision Cameras
Assistant Production Manager: In Germany
Professione: reporter (1975)
Directed by: Michelangelo Antonioni
Cinematography by: Luciano Tovoli
