Technocrane Operator
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Technocrane Operator
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
"b" Dolly Grip
'Boss' Louder Than Words (2012)
Directed by: Jim McKay
Cinematography by: Richard Rutkowski
Edited by: Elba Sanchez-Short
"b" Dolly Grip
'Boss' The Conversation (2012)
Directed by: Nelson McCormick
Cinematography by: Richard Rutkowski
Edited by: Elba Sanchez-Short
"b" Dolly Grip
'Boss' Consequence (2012)
Directed by: Jean de Segonzac
Cinematography by: Richard Rutkowski
Edited by: Kevin Casey
"b" Dolly Grip
'Boss' Clinch (2012)
Directed by: Mario Van Peebles
Cinematography by: Richard Rutkowski
Edited by: Kevin Casey
"b" Dolly Grip
'Boss' True Enough (2012)
Directed by: Jean de Segonzac
Cinematography by: Richard Rutkowski
Edited by: Elba Sanchez-Short
Technocrane Technician
LOL (2012)
Directed by: Lisa Azuelos
Cinematography by: Kieran McGuigan
Edited by: Myron Kerstein
"b" Dolly Grip
'Boss' Backflash (2012)
Directed by: Mario Van Peebles
Cinematography by: Richard Rutkowski
Edited by: Kevin Casey
"b" Dolly Grip
'Boss' Mania (2012)
Directed by: Jean de Segonzac
Cinematography by: Richard Rutkowski
Edited by: Kevin Casey
"b" Dolly Grip
'Boss' Redemption (2012)
Directed by: Phil Abraham
Cinematography by: Richard Rutkowski
Edited by: Elba Sanchez-Short
"b" Dolly Grip
'Boss' Ablution (2012)
Directed by: Lesli Linka Glatter
Cinematography by: Richard Rutkowski
Edited by: Kevin Casey
"b" Dolly Grip
'Boss' Through and Through (2012)
Directed by: Jean de Segonzac
Cinematography by: Richard Rutkowski
Edited by: Kevin Casey
Technocrane Technician
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Grip: Chicago
Source Code (2011)
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
"b" Dolly Grip - 10 Episodes, 2012
Boss (2011)
Directed by: Jean de Segonzac, Mario Van Peebles, Jim McKay, Gus Van Sant, Phil Abraham, Lesli Linka Glatter, Nelson McCormick
Edited by: Kevin Casey, Elba Sanchez-Short, Stephen Mark, Jo Francis, J. Kathleen Gibson, Elliot Graham, Dorian Harris
Cameras: ARRI ALEXA Camera
Remote Head Technician
Flipped (2010)
Directed by: Rob Reiner
Cinematography by: Thomas Del Ruth
Edited by: Robert Leighton
Grip
Little Fockers (2010)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Remote Head Technician
Vanishing on 7th Street (2010)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Jeffrey Wolf
Grip: Chicago
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Grip: Additional Photography
Horsemen (2009)
Directed by: Jonas Åkerlund
Cinematography by: Eric Broms
Grip
The Unborn (2009)
Directed by: David S. Goyer
Cinematography by: James Hawkinson
Edited by: Jeff Betancourt
Cameras: Panavision Cameras
Grip: Second Unit
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Grip
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Grip
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Additional Grip
Nothing Like the Holidays (2008)
Directed by: Alfredo Rodriguez de Villa
Cinematography by: Scott Kevan
Camera Intern
The Lookout (2007)
Directed by: Scott Frank
Cinematography by: Alar Kivilo
Edited by: Jill Savitt