Taffy Schweickhardt

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American Sniper | ShotOnWhat?

Key First Assistant Accountant

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Judge | ShotOnWhat?

First Assistant Accountant

The Judge (2014)

Directed by: David Dobkin

Cinematography by: Janusz Kaminski

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Jack Ryan: Shadow Recruit | ShotOnWhat?

Accountant: US

Jack Ryan: Shadow Recruit (2014)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Fast Five | ShotOnWhat?

First Assistant Accountant

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Life as We Know It | ShotOnWhat?

First Assistant Accountant

Life as We Know It (2010)

Directed by: Greg Berlanti

Cinematography by: Andrew Dunn

Edited by: Jim Page

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Invictus | ShotOnWhat?

First Assistant Production Accountant

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Informant! | ShotOnWhat?

Key First Assistant Accountant

The Informant! (2009)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One Camera

Nights in Rodanthe | ShotOnWhat?

First Assistant Accountant

Nights in Rodanthe (2008)

Directed by: George C. Wolfe

Cinematography by: Affonso Beato

Edited by: Brian A. Kates

Rails & Ties | ShotOnWhat?

First Assistant Accountant

Rails & Ties (2007)

Directed by: Alison Eastwood

Cinematography by: Tom Stern

Edited by: Gary Roach

Letters from Iwo Jima | ShotOnWhat?

Payroll Accountant

Letters from Iwo Jima (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

We Are Marshall | ShotOnWhat?

Assistant Production Accountant

We Are Marshall (2006)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

Flags of Our Fathers | ShotOnWhat?

Assistant Accountant

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Constantine | ShotOnWhat?

Payroll Accountant

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Must Love Dogs | ShotOnWhat?

Payroll Accountant

Must Love Dogs (2005)

Directed by: Gary David Goldberg

Cinematography by: John Bailey

Edited by: Roger Bondelli, Eric A. Sears

Cameras: Panavision Cameras

Ladder 49 | ShotOnWhat?

Payroll Accountant

Ladder 49 (2004)

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Bud S. Smith, M. Scott Smith

Million Dollar Baby | ShotOnWhat?

Assistant Accountant

Million Dollar Baby (2004)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Looney Tunes: Back in Action | ShotOnWhat?

Payroll Accountant

Looney Tunes: Back in Action (2003)

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Cradle 2 the Grave | ShotOnWhat?

Payroll Accountant

Cradle 2 the Grave (2003)

Directed by: Andrzej Bartkowiak

Cinematography by: Daryn Okada

Edited by: Derek Brechin

Cameras: Panavision Cameras

Gods and Generals | ShotOnWhat?

Payroll Accountant

Gods and Generals (2003)

Directed by: Ron Maxwell

Cinematography by: Kees Van Oostrum

Edited by: Corky Ehlers

Cameras: Mitchell Cameras, Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

The Banger Sisters | ShotOnWhat?

Payroll Accountant

The Banger Sisters (2002)

Directed by: Bob Dolman

Cinematography by: Karl Walter Lindenlaub

Edited by: Aram Nigoghossian

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses: Panavision E Series Anamorphic Lenses

Windtalkers | ShotOnWhat?

Payroll Accountant

Windtalkers (2002)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Jeff Gullo, Steven Kemper, Tom Rolf

The Mexican | ShotOnWhat?

Payroll Accountant

The Mexican (2001)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Craig Wood

Cameras: Panavision Cameras

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