Unit Publicist
The Art of Racing in the Rain (2019)
Directed by: Simon Curtis
Cinematography by: Ross Emery
Edited by: Adam Recht
Cameras: ARRI ALEXA SXT EV Cameras
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
Unit Publicist
War for the Planet of the Apes (2017)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Unit Publicist
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Unit Publicist
The Interview (2014)
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus 4:3 Camera
Unit Publicist
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Unit Publicist
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Unit Publicist
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Unit Publicist
Diary of a Wimpy Kid: Dog Days (2012)
Directed by: David Bowers
Cinematography by: Anthony B. Richmond
Edited by: Troy Takaki
Unit Publicist
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Unit Publicist
Diary of a Wimpy Kid: Rodrick Rules (2011)
Directed by: David Bowers
Cinematography by: Jack N. Green
Edited by: Troy Takaki
Cameras: Panavision Cameras
Unit Publicist
50/50 (2011)
Directed by: Jonathan Levine
Cinematography by: Terry Stacey
Edited by: Zene Baker
Unit Publicist
30 Days of Night: Dark Days (2010)
Directed by: Ben Ketai
Cinematography by: Eric Maddison
Edited by: Darrin Navarro
Cameras: Sony CineAlta F35 Camera
Unit Publicist
Ramona and Beezus (2010)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Bailey
Edited by: Jane Moran
Unit Publicist
Wrecked (2010)
Directed by: Michael Greenspan
Cinematography by: James Liston
Edited by: Wiebke von Carolsfeld
Unit Publicist
Marmaduke (2010)
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Unit Publicist
White Noise 2: The Light (2007)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Publicist
The Wicker Man (2006)
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
Publicist
The Sisterhood of the Traveling Pants (2005)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Unit Publicist
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Unit Publicist
Heist (2001)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Unit Publicist
Stardom (2000)
Directed by: Denys Arcand
Cinematography by: Guy Dufaux
Edited by: Isabelle Dedieu
Unit Publicist
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Unit Publicist
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Unit Publicist
Snake Eyes (1998)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Editing System: Avid Editing System
Unit Publicist: Toronto
Murder at 1600 (1997)
Directed by: Dwight H. Little
Cinematography by: Steven Bernstein
