Additional Re-recording Mixer
Napoleon (2023)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: ARRI ALEXA Mini LF Camera
Re-recording Mixer Cannes Mix
You Were Never Really Here (2017)
Directed by: Lynne Ramsay
Cinematography by: Thomas Townend
Edited by: Joe Bini
Cameras: ARRI ALEXA XT Series Cameras
Re-recording Mixer
Darkest Hour (2017)
Directed by: Joe Wright
Cinematography by: Bruno Delbonnel
Edited by: Valerio Bonelli
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Dialogue Editor / Re-recording Mixer
Calvary (2014)
Directed by: John Michael McDonagh
Cinematography by: Larry Smith
Edited by: Chris Gill
Cameras: ARRI ALEXA Series Cameras
Adr Mixer: LipSync Post / Sound Re-recording Mixer: LipSync Post
The Invisible Woman (2013)
Directed by: Ralph Fiennes
Cinematography by: Rob Hardy
Edited by: Nicolas Gaster
Editing System: Avid Editing System
Re-recording Mixer
Shadow Dancer (2012)
Directed by: James Marsh
Cinematography by: Rob Hardy
Edited by: Jinx Godfrey
Sound Re-recording Mixer: LipSync Post
Byzantium (2012)
Directed by: Neil Jordan
Cinematography by: Sean Bobbitt
Edited by: Tony Lawson
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Adr Mixer
Jane Eyre (2011)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Adr Editor: Lipsync Post / Dialogue Editor: Lipsync Post / Sound Re-recording Mixer: Sound 24
Shame (2011)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer
The Great Ghost Rescue (2011)
Directed by: Yann Samuell
Cinematography by: Antoine Roch
Adr Mixer: LipSync Post / Sound Re-recording Mixer: LipSync Post
The Awakening (2011)
Directed by: Nick Murphy
Cinematography by: Eduard Grau
Edited by: Victoria Boydell
Editing System: Avid Editing System
Adr Mixer / Re-recording Mixer
Coriolanus (2011)
Directed by: Ralph Fiennes
Cinematography by: Barry Ackroyd
Edited by: Nicolas Gaster
Cameras: Aaton Penelope Camera
Lenses: Angenieux Optimo Zoom Lenses
Re-recording Mixer
The First Grader (2010)
Directed by: Justin Chadwick
Cinematography by: Rob Hardy
Edited by: Paul Knight
Re-recording Mixer
Nowhere Boy (2009)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Edited by: Lisa Gunning
Re-recording Mixer
Red Riding: The Year of Our Lord 1983 (2009)
Directed by: Anand Tucker
Cinematography by: David Higgs
Edited by: Trevor Waite
Re-recording Mixer
Dean Spanley (2008)
Directed by: Toa Fraser
Cinematography by: Leon Narbey
Edited by: Chris Plummer
Re-recording Mixer
Good (2008)
Directed by: Vicente Amorim
Cinematography by: Andrew Dunn
Edited by: John Wilson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
How About You... (2007)
Directed by: Anthony Byrne
Cinematography by: Des Whelan
Edited by: Emma E. Hickox
Re-recording Mixer
The Ferryman (2007)
Directed by: Chris Graham
Cinematography by: Aaron Morton
Edited by: Nigel Galt
Re-recording Mixer
Highlander: The Source (2007)
Directed by: Brett Leonard
Cinematography by: Steve Arnold
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Re-recording Mixer
Cashback (2006)
Directed by: Sean Ellis
Cinematography by: Angus Hudson
Cameras: Moviecam Compact Camera
Adr Recordist: London / Re-recording Mixer
Severance (2006)
Directed by: Christopher Smith
Cinematography by: Ed Wild
Edited by: Stuart Gazzard
Cameras: Sony HDW-F900 Camera
Re-recording Mixer
River Queen (2005)
Directed by: Vincent Ward
Cinematography by: Alun Bollinger
Edited by: Ewa J. Lind
