Publicist
The Game of Their Lives (2005)
Directed by: David Anspaugh
Cinematography by: Johnny E. Jensen
Unit Publicist
The Rookie (2002)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Eric L. Beason
Cameras: Panavision Panaflex Platinum Camera
Publicist
Crocodile Dundee in Los Angeles (2001)
Directed by: Simon Wincer
Cinematography by: David Burr
Edited by: Terry Blythe
Unit Publicist
The Other Sister (1999)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Edited by: Bruce Green
Unit Publicist
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Unit Publicist
The Ghost and the Darkness (1996)
Directed by: Stephen Hopkins
Cinematography by: Vilmos Zsigmond
Unit Publicist
Eye for an Eye (1996)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Edited by: Peter Honess
Unit Publicist
Clueless (1995)
Directed by: Amy Heckerling
Cinematography by: Bill Pope
Edited by: Debra Chiate
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Panavision Lenses, Zeiss Lenses
Unit Publicist
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Unit Publicist
House of Cards (1993)
Directed by: Michael Lessac
Cinematography by: Victor Hammer
Edited by: Walter Murch
Publicist
A League of Their Own (1992)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Unit Publicist
Hot to Trot (1988)
Directed by: Michael Dinner
Cinematography by: Victor J. Kemper
Cameras: Panavision Panaflex Gold Camera
Publicity Coordinator
Quicksilver (1986)
Directed by: Thomas Michael Donnelly
Cinematography by: Thomas Del Ruth
Edited by: Tom Rolf
Publicity Coordinator
Prizzi's Honor (1985)
Directed by: John Huston
Cinematography by: Andrzej Bartkowiak
Publicist
Silkwood (1983)
Directed by: Mike Nichols
Cinematography by: Miroslav Ondrícek
Edited by: Sam O'Steen
Publicity Coordinator
Young Doctors in Love (1982)
Directed by: Garry Marshall
Cinematography by: Donald Peterman
Edited by: Dov Hoenig