Sean Genders

21 Titles

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Elvis | ShotOnWhat?

Key Prosthetic Makeup Artist: Tom Hanks

Elvis (2022)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Jonathan Redmond, Matt Villa

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

"The Wilds" Day 50/33 | ShotOnWhat?

Special Makeup Effects Artist

'The Wilds' Day 50/33 (2022)

Television Episode

Directed by: Aurora Guerrero

Cinematography by: Matt Toll

Edited by: Brad Katz, Joanna Phillips

"The Wilds" Day 46/26 | ShotOnWhat?

Special Makeup Effects Artist

'The Wilds' Day 46/26 (2022)

Television Episode

Directed by: Ben C. Lucas

Cinematography by: Rob Marsh

Edited by: Tuan Quoc Le

"The Wilds" Day 45/16 | ShotOnWhat?

Special Makeup Effects Artist

'The Wilds' Day 45/16 (2022)

Television Episode

Directed by: Ben C. Lucas

Cinematography by: Rob Marsh

Edited by: Phillip J. Bartell

"The Wilds" Day 42/15 | ShotOnWhat?

Special Makeup Effects Artist

'The Wilds' Day 42/15 (2022)

Television Episode

Directed by: Nima Nourizadeh

Cinematography by: Matt Toll

Edited by: Brad Katz

"The Wilds" Day 36/14 | ShotOnWhat?

Special Makeup Effects Artist

'The Wilds' Day 36/14 (2022)

Television Episode

Directed by: Nima Nourizadeh

Cinematography by: Matt Toll

Edited by: Tuan Quoc Le

"The Wilds" Day 34/12 | ShotOnWhat?

Special Makeup Effects Artist

'The Wilds' Day 34/12 (2022)

Television Episode

Directed by: Alison Maclean

Cinematography by: Rob Marsh

Edited by: Phillip J. Bartell

"The Wilds" Day 30/1 | ShotOnWhat?

Special Makeup Effects Artist

'The Wilds' Day 30/1 (2022)

Television Episode

Directed by: Alison Maclean

Cinematography by: Rob Marsh

Edited by: Phillip J. Bartell, Brad Katz

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Prosthetic Lens Technician/make Up Effects Artist

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

San Andreas | ShotOnWhat?

Prosthetics & Bodies, Special Makeup Effects Artist

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Mad Max: Fury Road | ShotOnWhat?

Senior Prosthetic Artist

Mad Max: Fury Road (2015)

Directed by: George Miller

Cinematography by: John Seale

Edited by: Margaret Sixel

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

The Water Diviner | ShotOnWhat?

Special Makeup Effects Artist

The Water Diviner (2014)

Directed by: Russell Crowe

Cinematography by: Andrew Lesnie

Edited by: Matt Villa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Primo Anamorphic Lenses

I, Frankenstein | ShotOnWhat?

Prosthetic Lens Technician, Puppeteer

I, Frankenstein (2014)

Directed by: Stuart Beattie

Cinematography by: Ross Emery

Edited by: Marcus D'Arcy

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Wolf Creek 2 | ShotOnWhat?

Senior Artist: JMB FX Studio

Wolf Creek 2 (2013)

Directed by: Greg McLean

Cinematography by: Toby Oliver

Edited by: Sean Lahiff

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens

Crawlspace | ShotOnWhat?

Special Make-up Effects Supervisor

Crawlspace (2012)

Directed by: Justin Dix

Cinematography by: Simon Ozolins

Edited by: Dave Redman

Cameras: Red One Camera

Killer Elite | ShotOnWhat?

Prosthetic Lens Technician

Killer Elite (2011)

Directed by: Gary McKendry

Cinematography by: Simon Duggan

Edited by: John Gilbert

House of Wax | ShotOnWhat?

Wax Technician

House of Wax (2005)

Directed by: Jaume Collet-Serra

Cinematography by: Stephen F. Windon

Edited by: Joel Negron

Anacondas: The Hunt for the Blood Orchid | ShotOnWhat?

Special Makeup Effects Artist

Anacondas: The Hunt for the Blood Orchid (2004)

Directed by: Dwight H. Little

Cinematography by: Stephen F. Windon

Edited by: Marcus D'Arcy, Mark Warner

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

The Matrix Reloaded | ShotOnWhat?

Special Makeup Effects Artist

The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Matrix Revolutions | ShotOnWhat?

Special Makeup Effects Artist

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Special Makeup Effects Artist

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

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