Stephanie Broussaud

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6 Underground | ShotOnWhat?

Digital Compositor: Raynault VFX

6 Underground (2019)

Directed by: Michael Bay

Cinematography by: Bojan Bazelli

Edited by: Roger Barton, William Goldenberg, Calvin Wimmer

Cameras: Apple iPhone Camera, ARRIFLEX 35 IIC Camera, GoPro HD Hero Camera, Red Epic Helium Camera, Red Monstro 8K Camera, Red Raven Camera, Sony CineAlta VENICE Camera

Lenses: Panavision T Series Anamorphic Lenses

Maniac | ShotOnWhat?

Digital Compositor: Raynault VFX - 4 Episodes, 2018

Maniac (2018)

Directed by: Cary Joji Fukunaga

Cinematography by: Darren Lew

Edited by: Pete Beaudreau, Tim Streeto

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Solo: A Star Wars Story | ShotOnWhat?

Digital Compositor: Raynault VFX

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Ghost in the Shell | ShotOnWhat?

Digital Compositor: Mpc

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Alien: Covenant | ShotOnWhat?

Digital Compositor: MPC

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Murder on the Orient Express | ShotOnWhat?

Digital Compositor: Mpc

Murder on the Orient Express (2017)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Mick Audsley

Cameras: ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Digital Compositor: MPC

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

X-Men: Apocalypse | ShotOnWhat?

Lead Roto/prep Artist

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

The Finest Hours | ShotOnWhat?

Lead Roto/prep Artist

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Exodus: Gods and Kings | ShotOnWhat?

Roto Artist: Mpc

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Dracula Untold | ShotOnWhat?

Paint & Roto Artist: Framestore

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Scary Movie 5 | ShotOnWhat?

Compositor: Solid MTL

Scary Movie 5 (2013)

Directed by: Malcolm D. Lee, David Zucker

Cinematography by: Steven Douglas Smith

Edited by: Sam Seig

Cameras: ARRI ALEXA Camera

The Young Victoria | ShotOnWhat?

First Assistant Colorist

The Young Victoria (2009)

Directed by: Jean-Marc Vallée

Cinematography by: Hagen Bogdanski

Edited by: Jill Bilcock, Matt Garner

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Babylon A.D. | ShotOnWhat?

Digital Intermediate Editor, Lustre Assistant

Babylon A.D. (2008)

Directed by: Mathieu Kassovitz

Cinematography by: Thierry Arbogast

Edited by: Benjamin Weill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera

Lenses: Panavision Primo Anamorphic Lenses

Astérix aux jeux olympiques | ShotOnWhat?

Digital Intermediate Editor, Lustre Assistant

Astérix aux jeux olympiques (2008)

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

Le deuxième souffle | ShotOnWhat?

Digital Intermediate Editor, Lustre Assistant

Le deuxième souffle (2007)

Directed by: Alain Corneau

Cinematography by: Yves Angelo

Edited by: Marie-Josèphe Yoyotte

La Vie en Rose | ShotOnWhat?

Lustre Assistant

La Vie en Rose (2007)

Directed by: Olivier Dahan

Cinematography by: Tetsuo Nagata

Edited by: Richard Marizy

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Color of Freedom | ShotOnWhat?

Digital Intermediate Editor, Lustre Assistant: Duboicolor

Goodbye Bafana (2007)

Directed by: Bille August

Cinematography by: Robert Fraisse

Edited by: Hervé Schneid

Nuovomondo | ShotOnWhat?

Lustre Assistant

Nuovomondo (2006)

Directed by: Emanuele Crialese

Cinematography by: Agnès Godard

Edited by: Maryline Monthieux

Prête-moi ta main | ShotOnWhat?

Lustre Assistant

Prête-moi ta main (2006)

Directed by: Eric Lartigau

Cinematography by: Régis Blondeau

Edited by: Juliette Welfling

Angel-A | ShotOnWhat?

Lustre Assistant

Angel-A (2005)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Christine Lucas Navarro, Frédéric Thoraval

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Saint-Jacques... La Mecque | ShotOnWhat?

Conforming

Saint-Jacques... La Mecque (2005)

Directed by: Coline Serreau

Cinematography by: Jean-François Robin

Edited by: Catherine Renault

Alexander | ShotOnWhat?

Lustre Assistant

Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

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