Michael Corenblith

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Game Night | ShotOnWhat?

Production Designer

Game Night (2018)

Directed by: John Francis Daley, Jonathan Goldstein

Cinematography by: Barry Peterson

Edited by: David Egan, Jamie Gross, Gregory Plotkin

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Red Epic Helium Camera

Lenses: Cooke S4/i Lenses

The Finest Hours | ShotOnWhat?

Production Designer

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Saving Mr. Banks | ShotOnWhat?

Production Designer

Saving Mr. Banks (2013)

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Campaign | ShotOnWhat?

Production Designer

The Campaign (2012)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Dolphin Tale | ShotOnWhat?

Production Designer

Dolphin Tale (2011)

Directed by: Charles Martin Smith

Cinematography by: Karl Walter Lindenlaub

Edited by: Harvey Rosenstock

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Dinner for Schmucks | ShotOnWhat?

Production Designer

Dinner for Schmucks (2010)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten, Jon Poll

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Blind Side | ShotOnWhat?

Production Designer

The Blind Side (2009)

Directed by: John Lee Hancock

Cinematography by: Alar Kivilo

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

The Perfect Game | ShotOnWhat?

Visual Consultant

The Perfect Game (2009)

Directed by: William Dear

Cinematography by: Bryan Greenberg

Edited by: Chris Conlee

Frost/Nixon | ShotOnWhat?

Production Designer

Frost/Nixon (2008)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill, Robert Komatsu

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses, Cooke Varotal Lenses

Editing System: Avid Editing System

Wild Hogs | ShotOnWhat?

Production Designer

Wild Hogs (2007)

Directed by: Walt Becker

Cinematography by: Robbie Greenberg

Edited by: Christopher Greenbury, Stuart H. Pappé

Cameras: Panavision Cameras

"Dexter" Dexter | ShotOnWhat?

Production Designer

'Dexter' Dexter (2006)

Television Episode

Directed by: Michael Cuesta

Cinematography by: Terry Stacey

Edited by: Elena Maganini

Dexter | ShotOnWhat?

Production Designer - 1 Episode, 2006

Dexter (2006)

Television Series

Cinematography by: Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey

Edited by: Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera

Be Cool | ShotOnWhat?

Production Designer

Be Cool (2005)

Directed by: F. Gary Gray

Cinematography by: Jeffrey L. Kimball

Edited by: Sheldon Kahn

The Alamo | ShotOnWhat?

Production Designer

The Alamo (2004)

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

How the Grinch Stole Christmas | ShotOnWhat?

Production Designer

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Edtv | ShotOnWhat?

Production Designer

Edtv (1999)

Directed by: Ron Howard

Cinematography by: John Schwartzman

Edited by: Daniel P. Hanley, Mike Hill

Mighty Joe Young | ShotOnWhat?

Production Designer

Mighty Joe Young (1998)

Directed by: Ron Underwood

Cinematography by: Donald Peterman, Oliver Wood

Edited by: Paul Hirsch

Ransom | ShotOnWhat?

Production Designer

Ransom (1996)

Directed by: Ron Howard

Cinematography by: Piotr Sobocinski

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Down Periscope | ShotOnWhat?

Production Designer

Down Periscope (1996)

Directed by: David S. Ward

Cinematography by: Victor Hammer

Edited by: William M. Anderson, Armen Minasian

Apollo 13 | ShotOnWhat?

Production Designer

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

He Said, She Said | ShotOnWhat?

Production Designer

He Said, She Said (1991)

Directed by: Ken Kwapis, Marisa Silver

Cinematography by: Stephen H. Burum

Edited by: Sidney Levin

Cameras: Panavision Cameras

Red Heat | ShotOnWhat?

Art Director

Red Heat (1988)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

Burglar | ShotOnWhat?

Art Director

Burglar (1987)

Directed by: Hugh Wilson

Cinematography by: William A. Fraker

Edited by: Fredric Steinkamp, William Steinkamp

Down and Out in Beverly Hills | ShotOnWhat?

Key Set Designer

Down and Out in Beverly Hills (1986)

Directed by: Paul Mazursky

Cinematography by: Donald McAlpine

Edited by: Richard Halsey

The Ratings Game | ShotOnWhat?

Production Designer

The Ratings Game (1984)

Television Movie

Directed by: Danny DeVito

Cinematography by: Tim Suhrstedt

Edited by: Dale Beldin, Marshall Harvey

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