Robert Castillo

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Knives Out | ShotOnWhat?

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Knives Out (2019)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

Terminator: Dark Fate | ShotOnWhat?

Storyboard Artist: Promo Team

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Editing System: Adobe Premiere Editing System

Booksmart | ShotOnWhat?

Storyboard Artist: Promo Team

Booksmart (2019)

Directed by: Olivia Wilde

Cinematography by: Jason McCormick

Edited by: Jamie Gross, Brent White

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision T Series Anamorphic Lenses

Avengers: Endgame | ShotOnWhat?

Storyboard Artist: Promo Team

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

The Intruder | ShotOnWhat?

Storyboard Artist: Promo Team

The Intruder (2019)

Directed by: Deon Taylor

Cinematography by: Daniel Pearl

Edited by: Melissa Kent

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk MiniHawk Hybrid Anamorphic Lenses

The Spy Who Dumped Me | ShotOnWhat?

Storyboard Artist: Promo Team

The Spy Who Dumped Me (2018)

Directed by: Susanna Fogel

Cinematography by: Barry Peterson

Edited by: Jonathan Schwartz

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Spider-Man: Into the Spider-Verse | ShotOnWhat?

Storyboard Artist: Promo Team

Spider-Man: Into the Spider-Verse (2018)

Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman

Edited by: Robert Fisher Jr.

Spider-Man: Homecoming | ShotOnWhat?

Storyboard Artist: Promo Team

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Fast 8 | ShotOnWhat?

Storyboard Artist: Promo Team

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Storyboard Artist: Promo Team

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Ride Along 2 | ShotOnWhat?

Storyboard Artist: Promo Team

Ride Along 2 (2016)

Directed by: Tim Story

Cinematography by: Mitchell Amundsen

Edited by: Peter S. Elliot

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Why Him? | ShotOnWhat?

Storyboard Artist: Promo Team

Why Him? (2016)

Directed by: John Hamburg

Cinematography by: Kris Kachikis

Edited by: William Kerr

Suicide Squad | ShotOnWhat?

Storyboard Artist: Promo Team

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Neighbors 2: Sorority Rising | ShotOnWhat?

Storyboard Artist: Promo Team

Neighbors 2: Sorority Rising (2016)

Directed by: Nicholas Stoller

Cinematography by: Brandon Trost

Edited by: Zene Baker, Michael A. Webber

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Keanu | ShotOnWhat?

Storyboard Artist: Promo Team

Keanu (2016)

Directed by: Peter Atencio

Cinematography by: Jas Shelton

Edited by: Nicholas Monsour

Cameras: ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

X-Men: Apocalypse | ShotOnWhat?

Storyboard Artist: Promo Team

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Captain America: Civil War | ShotOnWhat?

Storyboard Artist: Promo Team

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

The Wedding Ringer | ShotOnWhat?

Storyboard Artist - Interstitial Segments

The Wedding Ringer (2015)

Directed by: Jeremy Garelick

Cinematography by: Bradford Lipson

Edited by: Jeff Groth, Shelly Westerman, Byron Wong

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Terminator Genisys | ShotOnWhat?

Storyboard Artist: Promo Team

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Get Hard | ShotOnWhat?

Storyboard Artist: Interstitial Segments

Get Hard (2015)

Directed by: Etan Cohen

Cinematography by: Tim Suhrstedt

Edited by: Michael L. Sale

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Star Wars: The Force Awakens | ShotOnWhat?

Storyboard Artist: Promo Team

Star Wars: Episode VII - The Force Awakens (2015)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

Top Five | ShotOnWhat?

Storyboard Artist

Top Five (2014)

Directed by: Chris Rock

Cinematography by: Manuel Alberto Claro

Edited by: Anne McCabe

Teenage Mutant Ninja Turtles | ShotOnWhat?

Storyboard Artist: Music Video

Teenage Mutant Ninja Turtles (2014)

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

22 Jump Street | ShotOnWhat?

Storyboard Artist: Interstitial Segments

22 Jump Street (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

Precious | ShotOnWhat?

Storyboard Artist , Visual Consultant

Precious (2009)

Directed by: Lee Daniels

Cinematography by: Andrew Dunn

Edited by: Joe Klotz

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses

Rock the Paint | ShotOnWhat?

Storyboard Artist

Rock the Paint (2005)

Directed by: Phil Bertelsen

Cinematography by: John Foster

Edited by: Bryan Gunnar Cole

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