Tom Robertson

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Altered Carbon | ShotOnWhat?

On Set Painter - 1 Episode, 2018

Altered Carbon (2018)

Television Series

Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik

Cinematography by: Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon

Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses

"Altered Carbon" Clash by Night | ShotOnWhat?

On Set Painter

'Altered Carbon' Clash by Night (2018)

Television Episode

Directed by: Uta Briesewitz

Cinematography by: Neville Kidd

Edited by: Julian Clarke

Big Eyes | ShotOnWhat?

Standby Painter

Big Eyes (2014)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: JC Bond

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Editing System: Avid Editing System

This Means War | ShotOnWhat?

Scenic Artist

This Means War (2012)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Nicolas De Toth

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Underworld: Awakening | ShotOnWhat?

Stand-by Painter

Underworld Awakening (2012)

Directed by: Måns Mårlind, Björn Stein

Cinematography by: Scott Kevan

Edited by: Jeff McEvoy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

On-set Paint

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

Marmaduke | ShotOnWhat?

Stand-by Painter

Marmaduke (2010)

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Fantastic Four: Rise of the Silver Surfer | ShotOnWhat?

Stand-by Painter

Fantastic Four: Rise of the Silver Surfer (2007)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot, William Hoy

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Sony Vegas Editing System

Are We There Yet? | ShotOnWhat?

Stand-by Painter

Are We There Yet? (2005)

Directed by: Brian Levant

Cinematography by: Thomas E. Ackerman

Edited by: Lawrence Jordan

The Core | ShotOnWhat?

Paint Foreperson

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

X2 | ShotOnWhat?

Stand-by Painter

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Eye See You | ShotOnWhat?

Stand-by Painter

Eye See You (2002)

Directed by: Jim Gillespie

Cinematography by: Dean Semler

Edited by: Timothy Alverson, Steve Mirkovich

The 6th Day | ShotOnWhat?

On-set Painter

The 6th Day (2000)

Directed by: Roger Spottiswoode

Cinematography by: Pierre Mignot

Edited by: Michel Arcand, Mark Conte, Dominique Fortin

Disturbing Behavior | ShotOnWhat?

Stand-by Painter

Disturbing Behavior (1998)

Directed by: David Nutter

Cinematography by: John S. Bartley

Edited by: Randy Jon Morgan

Unforgettable | ShotOnWhat?

Stand-by Painter

Unforgettable (1996)

Directed by: John Dahl

Cinematography by: Jeffrey Jur

Edited by: Eric L. Beason, Scott Chestnut

Alaska | ShotOnWhat?

Stand-by Painter

Alaska (1996)

Directed by: Fraser C. Heston

Cinematography by: Tony Westman

Edited by: Rob Kobrin

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