Michael Hubert

19 Titles

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Legends of the Hidden Temple: The Movie | ShotOnWhat?

Production Coordinator

Legends of the Hidden Temple (2016)

Motion Picture, Television Movie

Directed by: Joe Menendez

Cinematography by: Tom Harting

Edited by: Damon Fecht

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera

Lenses: Panavision Lenses, Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens

Blood Father | ShotOnWhat?

Production Coordinator: Additional Photography

Blood Father (2016)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Steven Rosenblum

Lights Out | ShotOnWhat?

Production Coordinator

Lights Out (2016)

Directed by: David F. Sandberg

Cinematography by: Marc Spicer

Edited by: Michel Aller, Kirk M. Morri

Cameras: ARRI ALEXA Camera

42 | ShotOnWhat?

Production Coordinator: Chattanooga

42 (2013)

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Water for Elephants | ShotOnWhat?

Production Coordinator: Tennessee

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

RED | ShotOnWhat?

Production Coordinator

RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Production Coordinator

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Hidalgo | ShotOnWhat?

Production Coordinator

Hidalgo (2004)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Bourne Supremacy | ShotOnWhat?

Production Coordinator / Production Coordinator: Moscow

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

I Heart Huckabees | ShotOnWhat?

Production Coordinator

I Heart Huckabees (2004)

Directed by: David O. Russell

Cinematography by: Peter Deming

Edited by: Robert K. Lambert

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Auto Focus | ShotOnWhat?

Production Coordinator

Auto Focus (2002)

Directed by: Paul Schrader

Cinematography by: Jeffrey Greeley, Fred Murphy

Edited by: Kristina Boden

The Last Castle | ShotOnWhat?

Production Coordinator

The Last Castle (2001)

Directed by: Rod Lurie

Cinematography by: Shelly Johnson

Edited by: Michael Jablow, Kevin Stitt

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Extreme Adventures of Super Dave | ShotOnWhat?

Production Coordinator

The Extreme Adventures of Super Dave (2000)

Direct to Video

Directed by: Peter MacDonald

Cinematography by: Bernd Heinl

Edited by: Mike Murphy

Asteroid | ShotOnWhat?

Production Coordinator

Asteroid (1997)

Television Movie

Directed by: Bradford May

Cinematography by: Thomas Del Ruth, David Hennings

Edited by: Buford F. Hayes, Michael A. Hoey, Marc A. Kahn

A Family Thing | ShotOnWhat?

Business Affairs Representative

A Family Thing (1996)

Directed by: Richard Pearce

Cinematography by: Fred Murphy

Edited by: Mark Warner

Restoration | ShotOnWhat?

Production Coordinator

Restoration (1995)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

Get Shorty | ShotOnWhat?

Business Affairs Representative

Get Shorty (1995)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller, Ted Woerner

Short Cuts | ShotOnWhat?

Production Assistant

Short Cuts (1993)

Directed by: Robert Altman

Cinematography by: Walt Lloyd

Edited by: Suzy Elmiger, Geraldine Peroni

Dracula | ShotOnWhat?

Special Effects Assistant Coordinator

Dracula (1992)

Directed by: Francis Ford Coppola

Cinematography by: Michael Ballhaus

Edited by: Anne Goursaud, Glen Scantlebury, Nicholas C. Smith

Cameras: ARRIFLEX 535 Camera

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