Steel Construction Foreman
Elvis (2022)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera
Construction Leading Hand
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera
Lenses: Panavision Primo Digital Lenses
Special Effects Technician
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Special Effects Technician
Fool's Gold (2008)
Directed by: Andy Tennant
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Technician
The Condemned (2007)
Directed by: Scott Wiper
Cinematography by: Ross Emery
Edited by: Derek Brechin
Leading Hand Steelworker
The Marine (2006)
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Special Effects Supervisor
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Steelwork Foreman
Ghost Ship (2002)
Directed by: Steve Beck
Cinematography by: Gale Tattersall
Edited by: Roger Barton
Steelworker
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Construction Foreman
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Steelworker
Moulin Rouge! (2001)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
Steel Worker
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Steelworker
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Steelworker
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Steelworker: Australia
Oscar and Lucinda (1997)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Cameras: Panavision Panaflex Gold II Camera
