Special Effects Technician
Project X (2012)
Directed by: Nima Nourizadeh
Cinematography by: Ken Seng
Edited by: Jeff Groth
Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera
Lenses: Canon Lenses
Special Effects Foreman: Second Unit
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Technician
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Special Effects Technician
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Special Effects Technician
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Special Effects Technician
Tears of the Sun (2003)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Cameras: Panavision Cameras
Special Effects
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Special Effects: Second Unit
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Assistant
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Special Effects Assistant
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Special Effects Assistant: Los Angeles
Basic Instinct (1992)
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Special Effects
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Special Effects Best Boy: Sonora
Unforgiven (1992)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects
The Rookie (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses: Panavision Super Speed Lenses
Special Effects Technician
The War of the Roses (1989)
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Special Effects
Poltergeist III (1988)
Directed by: Gary Sherman
Cinematography by: Alex Nepomniaschy
Edited by: Ross Albert
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Special Effects
Lethal Weapon (1987)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Special Effects
The Man with One Red Shoe (1985)
Directed by: Stan Dragoti
Cinematography by: Richard H. Kline
Cameras: Panavision Cameras
Special Effects
The Goonies (1985)
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Special Effects
Blue Thunder (1983)
Directed by: John Badham
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Special Effects
Escape from Alcatraz (1979)
Directed by: Don Siegel
Cinematography by: Bruce Surtees
Edited by: Ferris Webster
