Ivan Drehspul

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Captain America: The Winter Soldier | ShotOnWhat?

Special Effects Technician

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Interstellar | ShotOnWhat?

Set Decorator/shop

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Star Trek Into Darkness | ShotOnWhat?

Electronic Prop Shop Technician

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Warm Bodies | ShotOnWhat?

Airline Technical Supervisor

Warm Bodies (2013)

Directed by: Jonathan Levine

Cinematography by: Javier Aguirresarobe

Edited by: Nancy Richardson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Wescam Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Prop Shop Electrician: Baton Rouge

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Total Recall | ShotOnWhat?

Special Effects Technician

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Charlie Wilson's War | ShotOnWhat?

Special Effects Technician

Charlie Wilson's War (2007)

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Bachelor Party Vegas | ShotOnWhat?

Airline Technical Supervisor

Bachelor Party Vegas (2006)

Direct to Video

Directed by: Eric Bernt

Cinematography by: Robert Primes

Edited by: David Finfer

School for Scoundrels | ShotOnWhat?

Airline Technical Supervisor

School for Scoundrels (2006)

Directed by: Todd Phillips

Cinematography by: Jonathan Brown

Edited by: Leslie Jones, Dan Schalk

Rumor Has It... | ShotOnWhat?

Airline Technical Supervisor

Rumor Has It... (2005)

Directed by: Rob Reiner

Cinematography by: Peter Deming

Edited by: Robert Leighton

A Lot Like Love | ShotOnWhat?

Airline Technical Supervisor

A Lot Like Love (2005)

Directed by: Nigel Cole

Cinematography by: John de Borman

Edited by: Susan Littenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Soul Plane | ShotOnWhat?

Airline Technical Supervisor

Soul Plane (2004)

Directed by: Jessy Terrero

Cinematography by: Jonathan Sela

Edited by: Michael R. Miller

Intolerable Cruelty | ShotOnWhat?

Airline Technical Supervisor

Intolerable Cruelty (2003)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 Camera

Editing System: Final Cut Pro Editing System

Kill Bill: Vol. 1 | ShotOnWhat?

Airline Technical Supervisor

Kill Bill: Vol. 1 (2003)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

What Planet Are You From? | ShotOnWhat?

Airline Technical Supervisor

What Planet Are You From? (2000)

Directed by: Mike Nichols

Cinematography by: Michael Ballhaus

Edited by: Richard Marks

Cameras: Panavision Cameras

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