Jean-Christophe Magnaud

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The French Dispatch | ShotOnWhat?

Special Effects Supervisor

The French Dispatch (2021)

Movie

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4/i Lenses

Lupin | ShotOnWhat?

Mechanical Special Effects - 2 Episodes, 2023

Lupin (2021)

Television Series

Directed by: Ludovic Bernard, Louis Leterrier, Hugo Gélin, Xavier Gens, Daniel Grou, Marcela Said

Cinematography by: Christophe Nuyens, Maxime Cointe, Nicolas Massart, Martial Schmeltz

Edited by: Jean-Daniel Fernandez Qundez, Audrey Simonaud, Romain Rioult, Richard Marizy, Matthilde Carlier, Vincent Tabaillon

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: P+S Technik TECHNOVISION 1.5x 100 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 135 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 40 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 40-70 mm T3.2 Lens, P+S Technik TECHNOVISION 1.5x 50 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 75 mm T2.5 Lens

Taken 3 | ShotOnWhat?

Special Effects General Coordinator

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Lucy | ShotOnWhat?

Special Effects Coordinator

Lucy (2014)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

3 Days to Kill | ShotOnWhat?

Special Effect General Coordinator

3 Days to Kill (2014)

Directed by: McG

Cinematography by: Thierry Arbogast

Edited by: Audrey Simonaud

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Technovision Lenses, Zeiss Super Speed Lenses

Le passé | ShotOnWhat?

Special Effects Coordinator

Le passé (2013)

Directed by: Asghar Farhadi

Cinematography by: Mahmoud Kalari

Edited by: Juliette Welfling

Cameras: ARRI ALEXA Camera

Taken 2 | ShotOnWhat?

Special Effect General Coordinator

Taken 2 (2012)

Directed by: Olivier Megaton

Cinematography by: Romain Lacourbas

Edited by: Camille Delamarre, Vincent Tabaillon

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Colombiana | ShotOnWhat?

First Special Effects Coordinator

Colombiana (2011)

Directed by: Olivier Megaton

Cinematography by: Romain Lacourbas

Edited by: Camille Delamarre

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

From Paris with Love | ShotOnWhat?

Special Effects Coordinator

From Paris with Love (2010)

Directed by: Pierre Morel

Cinematography by: Michel Abramowicz

Edited by: Frédéric Thoraval

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Panavision Primo Anamorphic Lenses

Espion(s) | ShotOnWhat?

Special Effects Technician

Espion(s) (2009)

Directed by: Nicolas Saada

Cinematography by: Stéphane Fontaine

Edited by: Juliette Welfling

Cameras: Aaton Cameras, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Traitor | ShotOnWhat?

Special Effects Coordinator: Marseilles

Traitor (2008)

Directed by: Jeffrey Nachmanoff

Cinematography by: James M. Muro

Edited by: Billy Fox

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Final Cut Pro Editing System

The Happening | ShotOnWhat?

Special Effects Technician: Paris

The Happening (2008)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Transporter 3 | ShotOnWhat?

Special Effects Coordinator

Transporter 3 (2008)

Directed by: Olivier Megaton

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Camille Delamarre, Carlo Rizzo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Le deuxième souffle | ShotOnWhat?

Special Effects Coordinator

Le deuxième souffle (2007)

Directed by: Alain Corneau

Cinematography by: Yves Angelo

Edited by: Marie-Josèphe Yoyotte

Faut que ça danse! | ShotOnWhat?

Special Effects Technician

Faut que ça danse! (2007)

Directed by: Noémie Lvovsky

Cinematography by: Jean-Marc Fabre

Edited by: Emmanuelle Castro

Cameras: ARRIFLEX 535 B Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Mr. Bean's Holiday | ShotOnWhat?

Special Effects Coordinator

Mr. Bean's Holiday (2007)

Directed by: Steve Bendelack

Cinematography by: Baz Irvine

Edited by: Tony Cranstoun

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Ill Wind | ShotOnWhat?

Special Effects Coordinator

Ill Wind (2007)

Directed by: Stéphane Allagnon

Cinematography by: Yves Cape

Edited by: Mike Fromentin

Pars vite et reviens tard | ShotOnWhat?

Special Effects Coordinator

Pars vite et reviens tard (2007)

Directed by: Régis Wargnier

Cinematography by: Laurent Dailland

Edited by: Yann Malcor

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Marie Antoinette | ShotOnWhat?

Special Effects Coordinator

Marie Antoinette (2006)

Directed by: Sofia Coppola

Cinematography by: Lance Acord

Edited by: Sarah Flack

Cameras: Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Da Vinci Code | ShotOnWhat?

Special Effects Coordinator

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Unleashed | ShotOnWhat?

Special Effects Coordinator

Unleashed (2005)

Directed by: Louis Leterrier

Cinematography by: Pierre Morel

Edited by: Nicolas Trembasiewicz

Double zéro | ShotOnWhat?

Special Effects Coordinator

Double zéro (2004)

Directed by: Gérard Pirès

Cinematography by: Denis Rouden

Edited by: Véronique Lange

Qui perd gagne! | ShotOnWhat?

Special Effects Technician

Qui perd gagne! (2003)

Directed by: Laurent Bénégui

Cinematography by: Gérard Simon

Edited by: Nathalie Langlade

The Bourne Identity | ShotOnWhat?

Special Effects Coordinator

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Wasabi | ShotOnWhat?

Special Effects Technician

Wasabi (2001)

Directed by: Gérard Krawczyk

Cinematography by: Gérard Sterin

Edited by: Yann Hervé

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