Special Effects Coordinator
Mudbound (2017)
Directed by: Dee Rees
Cinematography by: Rachel Morrison
Edited by: Mako Kamitsuna
Cameras: ARRI ALEXA Mini Camera
Special Effects Coordinator
Trumbo (2015)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Special Effects Coordinator
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Special Effects Coordinator
Wild (2014)
Directed by: Jean-Marc Vallée
Cinematography by: Yves Bélanger
Cameras: ARRI ALEXA XT Camera
Special Effects Coordinator
Killing Them Softly (2012)
Directed by: Andrew Dominik
Cinematography by: Greig Fraser
Lenses: Panavision HS50 50 mm T1.1 Lens
Special Effects Foreman
Bullet to the Head (2012)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Timothy Alverson
Special Effects Assistant Supervisor
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Assistant Special Effects Supervisor
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Special Effects Coordinator: Portland
The Burning Plain (2008)
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Special Effects Shop Supervisor
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Special Effects Foreman
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Special Effects Foreman
Dickie Roberts: Former Child Star (2003)
Directed by: Sam Weisman
Cinematography by: Thomas E. Ackerman
Edited by: Roger Bondelli
Special Effects Technician
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Special Effects Coordinator: Seattle
Get Carter (2000)
Directed by: Stephen Kay
Cinematography by: Mauro Fiore
Edited by: Gerald B. Greenberg
Special Effects Coordinator
Zero Effect (1998)
Directed by: Jake Kasdan
Cinematography by: Bill Pope
Edited by: Tara Timpone
Special Effects Coordinator
Mr. Holland's Opus (1995)
Directed by: Stephen Herek
Cinematography by: Oliver Wood
Edited by: Trudy Ship
Property Master
Holy Matrimony (1994)
Directed by: Leonard Nimoy
Cinematography by: Bobby Bukowski
Edited by: Peter E. Berger
Special Effects Coordinator
Sleepless in Seattle (1993)
Directed by: Nora Ephron
Cinematography by: Sven Nykvist
Edited by: Robert M. Reitano
Special Effects Co-ordinator: Seattle
Twin Peaks: Fire Walk with Me (1992)
Directed by: David Lynch
Cinematography by: Ronald Víctor García
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold Camera
Special Effects Coordinator
The Hand That Rocks the Cradle (1992)
Directed by: Curtis Hanson
Cinematography by: Robert Elswit
Edited by: John F. Link
Cameras: Panavision Cameras
Special Effects
Dogfight (1991)
Directed by: Nancy Savoca
Cinematography by: Bobby Bukowski
Edited by: John Tintori
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Cooke Lenses
Leadman: Washington
The War of the Roses (1989)
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Assistant Props: Tacoma
Three Fugitives (1989)
Directed by: Francis Veber
Cinematography by: Haskell Wexler
Edited by: Bruce Green
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Construction: Seattle Unit
Black Widow (1987)
Directed by: Bob Rafelson
Cinematography by: Conrad L. Hall
Edited by: John Bloom
Special Effects: Second Unit
Runaway Train (1985)
Directed by: Andrey Konchalovskiy
Cinematography by: Alan Hume
Edited by: Henry Richardson
