Rodolphe Chabrier

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"Lupin" Chapter 7 | ShotOnWhat?

Visual Effects Producer

'Lupin' Chapter 7 (2021)

Television Episode

Directed by: Ludovic Bernard

Cinematography by: Martial Schmeltz

Edited by: Audrey Simonaud

"Lupin" Chapter 6 | ShotOnWhat?

Visual Effects Producer

'Lupin' Chapter 6 (2021)

Television Episode

Directed by: Ludovic Bernard

Cinematography by: Martial Schmeltz

Edited by: Romain Rioult

"Lupin" Chapter 5 | ShotOnWhat?

Visual Effects Producer

'Lupin' Chapter 5 (2021)

Television Episode

Directed by: Marcela Said

Cinematography by: Christophe Nuyens

Edited by: Audrey Simonaud

"Lupin" Chapter 4 | ShotOnWhat?

Visual Effects Producer

'Lupin' Chapter 4 (2021)

Television Episode

Directed by: Marcela Said

Cinematography by: Christophe Nuyens

Edited by: Audrey Simonaud

"Lupin" Chapter 3 | ShotOnWhat?

Visual Effects Producer

'Lupin' Chapter 3 (2021)

Television Episode

Directed by: Louis Leterrier

Cinematography by: Christophe Nuyens

Edited by: Jean-Daniel Fernandez Qundez, Richard Marizy

"Lupin" Chapter 2 | ShotOnWhat?

Visual Effects Producer

'Lupin' Chapter 2 (2021)

Television Episode

Directed by: Louis Leterrier

Cinematography by: Christophe Nuyens

Edited by: Jean-Daniel Fernandez Qundez

"Lupin" Chapter 1 | ShotOnWhat?

Visual Effects Producer

'Lupin' Chapter 1 (2021)

Television Episode

Directed by: Louis Leterrier

Cinematography by: Christophe Nuyens

Edited by: Jean-Daniel Fernandez Qundez, Richard Marizy

Lupin | ShotOnWhat?

Visual Effects Producer - 7 Episodes, 2021

Lupin (2021)

Television Series

Directed by: Ludovic Bernard, Louis Leterrier, Hugo Gélin, Xavier Gens, Daniel Grou, Marcela Said

Cinematography by: Christophe Nuyens, Maxime Cointe, Nicolas Massart, Martial Schmeltz

Edited by: Jean-Daniel Fernandez Qundez, Audrey Simonaud, Romain Rioult, Richard Marizy, Matthilde Carlier, Vincent Tabaillon

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: P+S Technik TECHNOVISION 1.5x 100 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 135 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 40 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 40-70 mm T3.2 Lens, P+S Technik TECHNOVISION 1.5x 50 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 75 mm T2.5 Lens

Brick Mansions | ShotOnWhat?

Opening Title Sequence: Mac Guff

Brick Mansions (2014)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette

Edited by: Carlo Rizzo, Arthur Tarnowski

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses

3 Days to Kill | ShotOnWhat?

Visual Effects Supervisor: Mac Guff

3 Days to Kill (2014)

Directed by: McG

Cinematography by: Thierry Arbogast

Edited by: Audrey Simonaud

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Technovision Lenses, Zeiss Super Speed Lenses

Les vacances du petit Nicolas | ShotOnWhat?

Visual Effects Supervisor

Les vacances du petit Nicolas (2014)

Directed by: Laurent Tirard

Cinematography by: Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Taken 3 | ShotOnWhat?

Visual Effects Producer

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Des gens qui s'embrassent | ShotOnWhat?

Visual Effects Supervisor: Mac Guff Ligne

Des gens qui s'embrassent (2013)

Directed by: Danièle Thompson

Cinematography by: Jean-Marc Fabre

Edited by: Sylvie Landra

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Taken 2 | ShotOnWhat?

Visual Effects Supervisor

Taken 2 (2012)

Directed by: Olivier Megaton

Cinematography by: Romain Lacourbas

Edited by: Camille Delamarre, Vincent Tabaillon

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Astérix and Obélix: God Save Britannia | ShotOnWhat?

Visual Effects Supervisor: Mac Guff Ligne

Astérix and Obélix: God Save Britannia (2012)

Directed by: Laurent Tirard

Cinematography by: Catherine Pujol, Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens

L'ordre et la morale | ShotOnWhat?

Visual Effects Supervisor

L'ordre et la morale (2011)

Directed by: Mathieu Kassovitz

Cinematography by: Marc Koninckx

Edited by: Thomas Beard, Lionel Devuyst, Mathieu Kassovitz

Largo Winch II | ShotOnWhat?

Visual Effects Supervisor

Largo Winch II (2011)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Stan Collet

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-5D Mark II Camera

Colombiana | ShotOnWhat?

Visual Effects Supervisor

Colombiana (2011)

Directed by: Olivier Megaton

Cinematography by: Romain Lacourbas

Edited by: Camille Delamarre

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Elle s'appelait Sarah | ShotOnWhat?

Visual Effects Supervisor / Visual Effects

Elle s'appelait Sarah (2010)

Directed by: Gilles Paquet-Brenner

Cinematography by: Pascal Ridao

Edited by: Hervé Schneid

Cameras: Red One Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

L'immortel | ShotOnWhat?

Visual Effects Supervisor

L'immortel (2010)

Directed by: Richard Berry

Cinematography by: Thomas Hardmeier

Edited by: Camille Delamarre

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Splice | ShotOnWhat?

Visual Effects Supervisor: Mac Guff

Splice (2009)

Directed by: Vincenzo Natali

Cinematography by: Tetsuo Nagata

Edited by: Michele Conroy

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

"The Color of Magic" Part 2: The Light Fantastic | ShotOnWhat?

Visual Effects Supervisor: Mac Guff

'The Color of Magic' Part 2: The Light Fantastic (2008)

Television Episode

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally, Liz Webber

"The Color of Magic" Part 1: The Colour of Magic | ShotOnWhat?

Visual Effects Supervisor: Mac Guff

'The Color of Magic' Part 1: The Colour of Magic (2008)

Television Episode

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally, Liz Webber

The Color of Magic | ShotOnWhat?

Visual Effects Supervisor: Mac Guff - 2 Episodes, 2008

The Color of Magic (2008)

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally, Liz Webber

Cameras: ARRIFLEX D-21 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Transporter 3 | ShotOnWhat?

Visual Effects Supervisor: Mac Guff

Transporter 3 (2008)

Directed by: Olivier Megaton

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Camille Delamarre, Carlo Rizzo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

The Heir Apparent: Largo Winch | ShotOnWhat?

Visual Effects Supervisor: Mac Guff

The Heir Apparent: Largo Winch (2008)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Richard Marizy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Tell No One | ShotOnWhat?

Visual Effects Supervisor

Tell No One (2006)

Directed by: Guillaume Canet

Cinematography by: Christophe Offenstein

Edited by: Hervé de Luze

Bandidas | ShotOnWhat?

Visual Effects Supervisor

Bandidas (2006)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Thierry Arbogast

Edited by: Frédéric Thoraval

Unleashed | ShotOnWhat?

Visual Effects Supervisor: Mac Guff Ligne

Unleashed (2005)

Directed by: Louis Leterrier

Cinematography by: Pierre Morel

Edited by: Nicolas Trembasiewicz

Arsène Lupin | ShotOnWhat?

Visual Effects Supervisor

Arsène Lupin (2004)

Directed by: Jean-Paul Salomé

Cinematography by: Pascal Ridao

Edited by: Marie-Pierre Renaud

Renegade | ShotOnWhat?

Visual Effects Supervisor

Renegade (2004)

Directed by: Jan Kounen

Cinematography by: Tetsuo Nagata

Edited by: Jennifer Augé, Bénédicte Brunet, Joël Jacovella

Ginostra | ShotOnWhat?

Visual Effects Coordinator

Ginostra (2002)

Directed by: Manuel Pradal

Cinematography by: Maurizio Calvesi

Edited by: Valérie Deseine

Irreversible | ShotOnWhat?

Visual Effects Supervisor

Irreversible (2002)

Directed by: Gaspar Noé

Cinematography by: Benoît Debie, Gaspar Noé

Edited by: Gaspar Noé

Cameras: Aaton A-Minima Camera

Monsieur Batignole | ShotOnWhat?

Visual Effects Supervisor

Monsieur Batignole (2002)

Directed by: Gérard Jugnot

Cinematography by: Gérard Simon

Edited by: Catherine Kelber

Just Visiting | ShotOnWhat?

Digital Effects Supervisor: Visual Factory

Just Visiting (2001)

Directed by: Jean-Marie Poiré

Cinematography by: Ueli Steiger

Edited by: Michael A. Stevenson

Cameras: Panavision Cameras

Vidocq | ShotOnWhat?

Visual Effects Artist

Vidocq (2001)

Directed by: Pitof

Cinematography by: Jean-Pierre Sauvaire, Jean-Claude Thibaut

Edited by: Thierry Hoss

Cameras: Sony Cameras, Sony HDW-F900 Camera

Dobermann | ShotOnWhat?

Visual Effects Supervisor

Dobermann (1997)

Directed by: Jan Kounen

Cinematography by: Michel Amathieu

Edited by: Bénédicte Brunet, Eric Carlier

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