Eric Larsen

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The Last Duel | ShotOnWhat?

"B" Dolly Grip: French Unit

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

Ford v Ferrari | ShotOnWhat?

Grip: French Unit

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Mission: Impossible - Fallout | ShotOnWhat?

Grip: Paris

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Uncredited

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Taken 3 | ShotOnWhat?

Grip

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Grip

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Now You See Me | ShotOnWhat?

Grip: France

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Safe House | ShotOnWhat?

Grip

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

La femme du Vème | ShotOnWhat?

Grip, Grip Second Unit

La femme du Vème (2011)

Directed by: Pawel Pawlikowski

Cinematography by: Ryszard Lenczewski

Edited by: David Charap

Micmacs à tire-larigot | ShotOnWhat?

Grip

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

Marie Antoinette | ShotOnWhat?

Grip

Marie Antoinette (2006)

Directed by: Sofia Coppola

Cinematography by: Lance Acord

Edited by: Sarah Flack

Cameras: Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Paris, je t'aime | ShotOnWhat?

Grip

Paris, je t'aime (2006)

Cinematography by: Maxime Alexandre, Michel Amathieu, Pierre Aïm, Bruno Delbonnel, Eric Gautier, Frank Griebe, Éric Guichard, Jean-Claude Larrieu, Denis Lenoir, Rain Li, Pascal Marti, Tetsuo Nagata, Matthieu Poirot-Delpech, David Quesemand, Pascal Rabaud, Michael Seresin, Gérard Sterin

Edited by: Luc Barnier, Mathilde Bonnefoy, Stan Collet, Simon Jacquet, Anne Klotz, Isabel Meier, Alex Rodríguez, Hisako Suwa

The Da Vinci Code | ShotOnWhat?

Grip

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

A Very Long Engagement | ShotOnWhat?

Grip

A Very Long Engagement (2004)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

Les rivières pourpres 2 - Les anges de l'apocalypse | ShotOnWhat?

Grip

Les rivières pourpres 2 - Les anges de l'apocalypse (2004)

Directed by: Olivier Dahan

Cinematography by: Alex Lamarque

Edited by: Richard Marizy

Brotherhood of the Wolf | ShotOnWhat?

Grip

Brotherhood of the Wolf (2001)

Directed by: Christophe Gans

Cinematography by: Dan Laustsen

Edited by: Xavier Loutreuil, Sébastien Prangère, David Wu

Amélie | ShotOnWhat?

Dailies

Amélie (2001)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras

Lenses: Zeiss Ultra Prime Lenses

The Crimson Rivers | ShotOnWhat?

Dailies

The Crimson Rivers (2000)

Directed by: Mathieu Kassovitz

Cinematography by: Thierry Arbogast

Edited by: Maryline Monthieux

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