Digital Intermediate Colorist
Carol (2015)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Affonso Gonçalves
Cameras: ARRIFLEX 416 Camera
Digital Intermediate Colorist
The Survivalist (2015)
Directed by: Stephen Fingleton
Cinematography by: Damien Elliott
Edited by: Mark Towns
Digital Intermediate Colorist
Keep the Lights On (2012)
Directed by: Ira Sachs
Cinematography by: Thimios Bakatakis
Edited by: Affonso Gonçalves
Hd Colorist
The Tsunami and the Cherry Blossom (2011)
Directed by: Lucy Walker
Cinematography by: Aaron Phillips
Edited by: Aki Mizutani
Cameras: Canon EOS-5D Mark II Camera
Digital Intermediate Colorist
The Art of Getting By (2011)
Directed by: Gavin Wiesen
Cinematography by: Ben Kutchins
Edited by: Mollie Goldstein
Digital Intermediate Colorist
Vanishing on 7th Street (2010)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Jeffrey Wolf
Digital Intermediate Colorist
The Imperialists Are Still Alive! (2010)
Directed by: Zeina Durra
Cinematography by: Magela Crosignani
Edited by: Michael Taylor
Digital Intermediate Colorist
Homecoming (2009)
Directed by: Morgan J. Freeman
Edited by: Keith Reamer
Colorist, Digital Effects
Ice Grill, U.S.A. (2009)
Cinematography by: Gus Sacks
Edited by: Andrew Ford
Digital Intermediate Colorist
Cass (2008)
Directed by: Jon S. Baird
Cinematography by: Christopher Ross
Edited by: David Moyes
Digital Intermediate Colorist
The Loss of a Teardrop Diamond (2008)
Directed by: Jodie Markell
Cinematography by: Giles Nuttgens
Cameras: Panavision Panaflex Platinum Camera
HD Colorist
Chelsea on the Rocks (2008)
Directed by: Abel Ferrara
Edited by: Langdon Page
Cameras: Panavision Cameras
2K Digital Intermediate Colorist
Manda Bala (Send a Bullet) (2007)
Directed by: Jason Kohn
Cinematography by: Heloísa Passos
Cameras: ARRIFLEX 16SR3 Camera
Digital Intermediate Colorist
Purple Violets (2007)
Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Thom Zimny
Cameras: ARRI Cameras
2k Digital Intermediate Editor
Just Like the Son (2006)
Directed by: Morgan J. Freeman
Cinematography by: Yaron Orbach
Edited by: Sloane Klevin
2K Digital Intermediate Colorist
The Namesake (2006)
Directed by: Mira Nair
Cinematography by: Frederick Elmes
Edited by: Allyson C. Johnson
Digital Intermediate Colorist
Cinematographer Style (2006)
Directed by: Jon Fauer
Edited by: Matthew R. Blute
Digital Intermediate Colorist: Goldcrest Post Production
Sherrybaby (2006)
Directed by: Laurie Collyer
Cinematography by: Russell Lee Fine
Cameras: ARRI Cameras
2K Digital Intermediate Colorist
The Groomsmen (2006)
Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Jamie Kirkpatrick
Digital Intermediate Colorist
Shortbus (2006)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Brian A. Kates
Video Colorist
Last Days (2005)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Gus Van Sant
Hd Colorist
Broken Flowers (2005)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Jay Rabinowitz
Lenses: Zeiss Variable Prime Lenses
Colorist
Pieces of April (2003)
Directed by: Peter Hedges
Cinematography by: Tami Reiker
Edited by: Mark Livolsi
Cameras: Sony DSR-PD150 Camera
Video Colorist
Elephant (2003)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Gus Van Sant
Lenses: Zeiss Super Speed Lenses
Colorist: High Definition , Datacine Operator
Capturing the Friedmans (2003)
Directed by: Andrew Jarecki
Cinematography by: Adolfo Doring
Edited by: Richard Hankin
Editing System: Avid Editing System
Colorist
Raising Victor Vargas (2002)
Directed by: Peter Sollett
Cinematography by: Tim Orr
Edited by: Myron Kerstein
Hd Colorist
Monsoon Wedding (2001)
Directed by: Mira Nair
Cinematography by: Declan Quinn
Edited by: Allyson C. Johnson
Hd Colorist
The Safety of Objects (2001)
Directed by: Rose Troche
Cinematography by: Enrique Chediak
Edited by: Geraldine Peroni
Hd Colorist
Dark Blue World (2001)
Directed by: Jan Sverák
Cinematography by: Vladimír Smutný
Edited by: Alois Fisárek
Hd Colorist
Hedwig and the Angry Inch (2001)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Andrew Marcus
Hd Colorist
Before Night Falls (2000)
Directed by: Julian Schnabel
Edited by: Michael Berenbaum
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Hd Colorist
Boiler Room (2000)
Directed by: Ben Younger
Cinematography by: Enrique Chediak
Edited by: Chris Peppe
Hd Colorist
The Golden Bowl (2000)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: John David Allen
Hd Colorist
Sweet and Lowdown (1999)
Directed by: Woody Allen
Cinematography by: Fei Zhao
Edited by: Alisa Lepselter
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Telecine Colorist
A Soldier's Daughter Never Cries (1998)
Directed by: James Ivory
Cinematography by: Jean-Marc Fabre
Edited by: Noëlle Boisson
Cameras: Panavision Panaflex Platinum Camera
Hd Colorist
Celebrity (1998)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Hd Colorist
Dead Man (1995)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Jay Rabinowitz
Colorist
Passion Fish (1992)
Directed by: John Sayles
Cinematography by: Roger Deakins
Edited by: John Sayles
Hd Colorist
Night on Earth (1991)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Jay Rabinowitz
Colorist / Telecine Colorist
Mississippi Masala (1991)
Directed by: Mira Nair
Cinematography by: Edward Lachman
Edited by: Roberto Silvi
Hd Colorist
Mystery Train (1989)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Melody London
Hd Colorist
Down by Law (1986)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Melody London
Hd Colorist
The Brother from Another Planet (1984)
Directed by: John Sayles
Cinematography by: Ernest R. Dickerson
Edited by: John Sayles
Cameras: ARRIFLEX 35 BL2 Camera
Lenses: Angenieux Lenses, Zeiss Lenses
