Jim Pearson

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Pacific Rim | ShotOnWhat?

Safety Diver

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

24 | ShotOnWhat?

Marine Coordinator

24: Redemption (2008)

Television Movie

Directed by: Jon Cassar

Cinematography by: Rodney Charters

Edited by: Scott Powell

The Italian Job | ShotOnWhat?

Underwater Coordinator

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

The Bourne Identity | ShotOnWhat?

Marine Coordinator: Visual Effects Unit

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

The Gift | ShotOnWhat?

Underwater Coordinator

The Gift (2000)

Directed by: Sam Raimi

Cinematography by: Jamie Anderson

Edited by: Arthur Coburn, Bob Murawski

Charlie's Angels | ShotOnWhat?

Marine Stunts

Charlie's Angels (2000)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Men of Honor | ShotOnWhat?

Marine Stunts

Men of Honor (2000)

Directed by: George Tillman Jr.

Cinematography by: Anthony B. Richmond

Edited by: John Carter, Dirk Westervelt

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

U-571 | ShotOnWhat?

Additional Marine Support, Marine Coordinator: Visual Effects Unit

U-571 (2000)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses

City of Angels | ShotOnWhat?

Marine Department

City of Angels (1998)

Directed by: Brad Silberling

Cinematography by: John Seale

Edited by: Lynzee Klingman

U.S. Marshals | ShotOnWhat?

Marine Coordinator

U.S. Marshals (1998)

Directed by: Stuart Baird

Cinematography by: Andrzej Bartkowiak

Edited by: Terry Rawlings

G.I. Jane | ShotOnWhat?

Marine Stunts , SEAL Instructor

G.I. Jane (1997)

Directed by: Ridley Scott

Cinematography by: Hugh Johnson

Edited by: Pietro Scalia

Face/Off | ShotOnWhat?

Marine Stunts

Face/Off (1997)

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Apollo 13 | ShotOnWhat?

Marine Department

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Dead Connection | ShotOnWhat?

Camera Operator / Cinematographer: Underwater Sequences, Police Diver

Dead Connection (1994)

Directed by: Nigel Dick

Cinematography by: David Bridges

Edited by: Henry Richardson, Jonathan P. Shaw

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