Music Editor
'The Blacklist' The Forecaster (No. 163) (2017)
Directed by: Edward Ornelas
Cinematography by: Saade Mustafa
Edited by: Chris Brookshire
Music Editor
'The Blacklist' Mato (No. 66) (2016)
Directed by: Andrew McCarthy
Cinematography by: Saade Mustafa
Edited by: David Post
Music Editor
'The Blacklist' Susan Hargrave (No. 18) (2016)
Directed by: Andrew McCarthy
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Music Editor
'The Blacklist' Alexander Kirk (No. 14) (2016)
Directed by: Michael Dinner
Cinematography by: Eric Moynier
Music Editor
'The Blacklist' Alexander Kirk (No. 14): Conclusion (2016)
Directed by: Bill Roe
Cinematography by: Michael Caracciolo
Edited by: David Post
Music Editor
'The Blacklist' The Artax Network (No. 41) (2016)
Directed by: Donald E. Thorin Jr.
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Music Editor
'The Blacklist' Cape May (2016)
Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Edited by: David Post
Music Editor
'The Blacklist' Mr. Solomon (No. 32): Conclusion (2016)
Directed by: John Terlesky
Cinematography by: Eric Moynier
Edited by: Emily Greene
Music Editor
'The Blacklist' Mr. Solomon (No. 32) (2016)
Directed by: Eagle Egilsson
Cinematography by: Michael Caracciolo
Edited by: David Post
Music Editor
'The Blacklist' The Lindquist Concern (No. 105) (2016)
Directed by: Kurt Kuenne
Cinematography by: Michael Caracciolo
Edited by: David Post
Music Editor
'The Blacklist' Gaia (No. 81) (2016)
Directed by: Bill Roe
Cinematography by: Saade Mustafa
Edited by: Chris Brookshire
Music Editor
'The Blacklist' Miles McGrath (No. 65) (2016)
Directed by: John Terlesky
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Music Editor
'The Blacklist' The Troll Farmer (No. 38) (2015)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Music Editor
'The Blacklist' Marvin Gerard (No. 80) (2015)
Directed by: Andrew McCarthy
Cinematography by: Eric Moynier
Edited by: David Post
Music Editor
'The Blacklist' Eli Matchett (No.72) (2015)
Directed by: Steven A. Adelson
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Music Editor - 15 Episodes, 2015-2017
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Score Production Coordinator
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Music Editor
The Raid: Redemption (2011)
Directed by: Gareth Evans
Edited by: Gareth Evans
Cameras: Panasonic AG-AF100 Camera
Second Engineer
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Music Editor
Chicken Run (2000)
Cinematography by: Simon Jacobs, Andy MacCormack, Tristan Oliver, Frank Passingham, Dave Alex Riddett, Paul Smith
Musician: Percussion , Sound Engineer: Media Ventures
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Assistant Sound Engineer
The Last Days (1998)
Directed by: James Moll
Cinematography by: Harris Done
Edited by: James Moll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Sound Engineer
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Assistant Sound Engineer
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Assistant Sound Engineer
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Sound Engineer
The Peacemaker (1997)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: David Rosenbloom
Assistant Sound Engineer
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Assistant Sound Engineer
Dangerous Minds (1995)
Directed by: John N. Smith
Cinematography by: Pierre Letarte
Edited by: Tom Rolf
Assistant Sound Engineer
Bad Boys (1995)
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Assistant Sound Engineer
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Assistant Sound Engineer
A Low Down Dirty Shame (1994)
Directed by: Keenen Ivory Wayans
Cinematography by: Matthew F. Leonetti
Edited by: John F. Link
