Aerial Cinematographer / Director Of Photography: Second Unit
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Director Of Photography: Second Unit
I Spy (2002)
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Special Cinematographer, Visual Effects Director Of Photography: Second Unit Pick-ups
102 Dalmatians (2000)
Directed by: Kevin Lima
Edited by: Gregory Perler
Director Of Photography: Second Unit
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Aerial Director Of Photography
Kiss Toledo Goodbye (1999)
Directed by: Lyndon Chubbuck
Cinematography by: Frank Byers
Edited by: Rebecca Ross
Director Of Photography: Second Unit
Small Soldiers (1998)
Directed by: Joe Dante
Cinematography by: Jamie Anderson
Underwater Photographer
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Director Of Photography: Second Unit
Wrongfully Accused (1998)
Directed by: Pat Proft
Cinematography by: Glen MacPherson
Edited by: James R. Symons
Camera Operator: Wescam, Second Unit
Kiss the Girls (1997)
Directed by: Gary Fleder
Cinematography by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Lightworks Editing System
Director Of Photography: Second Unit
Fire Down Below (1997)
Directed by: Félix Enríquez Alcalá
Cinematography by: Tom Houghton
Edited by: Robert A. Ferretti
Director Of Photography: Basketball Unit
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Aerial Camera Operator
Courage Under Fire (1996)
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Aerial Camera Operator: Second Unit
Three Wishes (1995)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Cameraman: Second Unit
The Three Musketeers (1993)
Directed by: Stephen Herek
Cinematography by: Dean Semler
Edited by: John F. Link
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Aerial Unit
The Vanishing (1993)
Directed by: George Sluizer
Cinematography by: Peter Suschitzky
Edited by: Bruce Green
Director Of Photography: Second Unit
Teenage Mutant Ninja Turtles III (1993)
Directed by: Stuart Gillard
Cinematography by: David Gurfinkel
Aerial Cinematographer: Second Unit
Body Snatchers (1993)
Directed by: Abel Ferrara
Cinematography by: Bojan Bazelli
Edited by: Anthony Redman
Director Of Photography: Second Unit
Cool Runnings (1993)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Aerial Camera Operator: Second Unit
Honeymoon in Vegas (1992)
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Director Of Photography: Second Unit
Toy Soldiers (1991)
Directed by: Daniel Petrie Jr.
Cinematography by: Thomas Burstyn
Edited by: Michael Kahn
Visual Effects Photographer
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Helicopter Director Of Photography: Second Unit
Men Don't Leave (1990)
Directed by: Paul Brickman
Cinematography by: Bruce Surtees
Edited by: Richard Chew
Director Of Photography: Second Unit, USA
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Director Of Photography: Second Unit
Police Academy 6: City Under Siege (1989)
Directed by: Peter Bonerz
Cinematography by: Charles Rosher Jr.
Edited by: Hubert de La Bouillerie
Director Of Photography: Second Unit
Outrageous Fortune (1987)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: Tom Rolf
Cameras: Panavision Cameras
Visual Effects Director Of Photography: Second Unit
Masters of the Universe (1987)
Directed by: Gary Goddard
Cinematography by: Hanania Baer
Edited by: Anne V. Coates
Camera Operator: Second Unit, United States
Police Academy 3: Back in Training (1986)
Directed by: Jerry Paris
Cinematography by: Robert Saad
Edited by: Bud Molin
Additional Photographer: Second Unit
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Director Of Photography: Second Unit
D.C. Cab (1983)
Directed by: Joel Schumacher
Cinematography by: Dean Cundey
Edited by: David E. Blewitt
Aerial Photographer
Doctor Detroit (1983)
Directed by: Michael Pressman
Cinematography by: King Baggot
Edited by: Christopher Greenbury
Aerial Photographer
Table for Five (1983)
Directed by: Robert Lieberman
Cinematography by: Vilmos Zsigmond
Edited by: Michael Kahn
Camera Operator: Second Unit
Annie (1982)
Directed by: John Huston
Cinematography by: Richard Moore
Edited by: Michael A. Stevenson
Camera Operator
TRON (1982)
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses
Director Of Photography: Second Unit
Six Pack (1982)
Directed by: Daniel Petrie
Cinematography by: Mario Tosi
Edited by: Rita Roland
Underwater Director Of Photography
Blow Out (1981)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Paul Hirsch
Director Of Aerial Photography
On Golden Pond (1981)
Directed by: Mark Rydell
Cinematography by: Billy Williams
Edited by: Robert L. Wolfe
Photography: Second Unit
A Change of Seasons (1980)
Cinematography by: Philip H. Lathrop
Edited by: Don Zimmerman
Director Of Photography: Second Unit
Foul Play (1978)
Directed by: Colin Higgins
Cinematography by: David M. Walsh
Edited by: Pembroke J. Herring
Director Of Photography
Every Which Way but Loose (1978)
Directed by: James Fargo
Cinematography by: Rexford L. Metz
Cameras: Panavision Cameras
Additional Photography: Second Unit
Close Encounters of the Third Kind (1977)
Directed by: Steven Spielberg
Cinematography by: Vilmos Zsigmond
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera: Second Unit
The Missouri Breaks (1976)
Directed by: Arthur Penn
Cinematography by: Michael C. Butler
Underwater Photography
Jaws (1975)
Directed by: Steven Spielberg
Cinematography by: Bill Butler
Edited by: Verna Fields
Editing System: Moviola Editing System
Camera Operator
Hickey & Boggs (1972)
Directed by: Robert Culp
Cinematography by: Bill Butler
Edited by: David Berlatsky
Camera Operator: Second Unit
Sometimes a Great Notion (1971)
Directed by: Paul Newman
Cinematography by: Richard Moore
Edited by: Bob Wyman
Assistant Camera: Second Unit
Tora! Tora! Tora! (1970)
Assistant Camera
Bullitt (1968)
Directed by: Peter Yates
Cinematography by: William A. Fraker
Edited by: Frank P. Keller
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
