Visual Effects Producer
'Hunters' Eilu v' Eilu (2020)
Directed by: Michael Uppendahl
Cinematography by: William Rexer
Edited by: John Petaja
Visual Effects Producer - 2 Episodes, 2020, Visual Effects Producer: Zoic Studios - 2 Episodes, 2020
Hunters (2020)
Directed by: Phil Abraham, Nelson McCormick, Michael Uppendahl, Wayne Yip, Alfonso Gomez-Rejon, Dennie Gordon, Millicent Shelton
Cameras: Red Monstro 8K Camera
Visual Effects Producer
'Hunters' The Great Ole Nazi Cookout of '77 (2020)
Directed by: Nelson McCormick
Cinematography by: Tim Norman
Edited by: Amy E. Duddleston
Visual Effects Production Manager
Gemini Man (2019)
Directed by: Ang Lee
Cinematography by: Dion Beebe
Edited by: Tim Squyres
Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera
Lenses: Leitz Summilux-C Series Lenses
Visual Effects Producer / Visual Effects Producer: PowerHouse - 1 Episode, 2018
Maniac (2018)
Directed by: Cary Joji Fukunaga
Cinematography by: Darren Lew
Cameras: Panavision Millennium DXL Camera
Visual Effects Producer
Second Act (2018)
Directed by: Peter Segal
Cinematography by: Ueli Steiger
Edited by: Jason Gourson
Cameras: ARRI ALEXA Mini Camera
Visual Effects Producer: Powerhouse
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Visual Effects Producer
A Quiet Place (2018)
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Visual Effects Producer
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Visual Effects Coordinator - 1 Episode, 2016
Vinyl (2016)
Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett
Cameras: Sony PMW-F55 Camera
Visual Effects Coordinator
'Vinyl' Pilot (2016)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: David Tedeschi
Visual Effects Coordinator
Run All Night (2015)
Directed by: Jaume Collet-Serra
Cinematography by: Martin Ruhe
Edited by: Dirk Westervelt
Visual Effects Coordinator
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Visual Effects Coordinator
The Judge (2014)
Directed by: David Dobkin
Cinematography by: Janusz Kaminski
Edited by: Mark Livolsi
I/o Technician: Gravity, Visual Effects Production Coordinator: Gravity
Begin Again (2013)
Directed by: John Carney
Cinematography by: Yaron Orbach
Edited by: Andrew Marcus
Cameras: Red Epic Camera
Editing System: Adobe Premiere Editing System
Digital Compositor: Gravity
Arthur (2011)
Directed by: Jason Winer
Cinematography by: Uta Briesewitz
Edited by: Brent White
Roto/paint Lead
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Digital Compositor: Look Effects
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Compositor: Hatch
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
