Farrah Yip

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The Mummy | ShotOnWhat?

Data Wrangler: Additional Photography

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Assistant Data Wrangler

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pan | ShotOnWhat?

Assistant Data Wrangler

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Into the Woods | ShotOnWhat?

Visual Effects Production Assistant

Into the Woods (2014)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Furious 6 | ShotOnWhat?

Visual Effects Assistant

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Cosmopolis | ShotOnWhat?

Art Department Apprentice

Cosmopolis (2012)

Directed by: David Cronenberg

Cinematography by: Peter Suschitzky

Edited by: Ronald Sanders

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Cooke S4 Lenses

An Insignificant Harvey | ShotOnWhat?

Set Dresser

An Insignificant Harvey (2011)

Directed by: Jeff Kopas

Cinematography by: Cabot McNenly

Edited by: Stuart A. McIntyre, Dev Singh

Resident Evil: Afterlife | ShotOnWhat?

Art Department Temp

Resident Evil: Afterlife (2010)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Niven Howie

Cameras: Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses: Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Editing System: Avid Editing System

Amelia | ShotOnWhat?

Office Production Assistant

Amelia (2009)

Directed by: Mira Nair

Cinematography by: Stuart Dryburgh

Edited by: Allyson C. Johnson, Lee Percy

Suck | ShotOnWhat?

Office Production Assistant

Suck (2009)

Directed by: Rob Stefaniuk

Cinematography by: D. Gregor Hagey

Edited by: Michele Conroy

Grey Gardens | ShotOnWhat?

Office Production Assistant

Grey Gardens (2009)

Television Movie

Directed by: Michael Sucsy

Cinematography by: Mike Eley

Edited by: Alan Heim, Lee Percy

The Rocker | ShotOnWhat?

Assistant: Ms. Lucibello-Brancatella

The Rocker (2008)

Directed by: Peter Cattaneo

Cinematography by: Anthony B. Richmond

Edited by: Charles Kaplan, Brad Wilhite

Jumper | ShotOnWhat?

Production Assistant

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Mr. Magorium's Wonder Emporium | ShotOnWhat?

On-set Child Coordinator

Mr. Magorium's Wonder Emporium (2007)

Directed by: Zach Helm

Cinematography by: Roman Osin

Edited by: Sabrina Plisco, Steven Weisberg

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