Still Photographer
Ocean's Twelve (2004)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Still Photographer
Mona Lisa Smile (2003)
Directed by: Mike Newell
Cinematography by: Anastas N. Michos
Edited by: Mick Audsley
Still Photographer
Something's Gotta Give (2003)
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Still Photographer
Full Frontal (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Sarah Flack
Cameras: Canon XL1S Camera
Editing System: Final Cut Pro Editing System
Still Photographer
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Still Photographer
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Still Photographer
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Still Photographer
Ocean's Eleven (2001)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Editing System: Avid Editing System
Still Photographer
Traffic (2000)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Still Photographer
Erin Brockovich (2000)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Still Photographer
The Limey (1999)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Sarah Flack
Still Photographer
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
The Red Violin (1998)
Directed by: François Girard
Cinematography by: Alain Dostie
Edited by: Gaétan Huot
Still Photographer
Nothing to Lose (1997)
Directed by: Steve Oedekerk
Cinematography by: Donald E. Thorin
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
Mad Love (1995)
Directed by: Antonia Bird
Cinematography by: Fred Tammes
Edited by: Jeff Freeman
Cameras: Panavision Cameras
Still Photographer
Home for the Holidays (1995)
Directed by: Jodie Foster
Cinematography by: Lajos Koltai
Edited by: Lynzee Klingman
Unit Still Photographer
White Man's Burden (1995)
Directed by: Desmond Nakano
Cinematography by: Willy Kurant
Edited by: Nancy Richardson
Still Photographer
Terminal Velocity (1994)
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Still Photographer
Fresh (1994)
Directed by: Boaz Yakin
Cinematography by: Adam Holender
Edited by: Dorian Harris
Still Photographer
Striking Distance (1993)
Directed by: Rowdy Herrington
Cinematography by: Mac Ahlberg
Photo Effects, Still Photographer
Passion Fish (1992)
Directed by: John Sayles
Cinematography by: Roger Deakins
Edited by: John Sayles
Still Photographer: New York
Queens Logic (1991)
Directed by: Steve Rash
Cinematography by: Amir Mokri
Edited by: Patrick Kennedy
Still Photographer
Dogfight (1991)
Directed by: Nancy Savoca
Cinematography by: Bobby Bukowski
Edited by: John Tintori
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Cooke Lenses
Still Photographer: New York
Out for Justice (1991)
Directed by: John Flynn
Cinematography by: Ric Waite
Still Photographer
Green Card (1990)
Directed by: Peter Weir
Cinematography by: Geoffrey Simpson
Edited by: William M. Anderson
Still Photographer
Her Alibi (1989)
Directed by: Bruce Beresford
Cinematography by: Freddie Francis
Edited by: Anne Goursaud
Still Photographer
Great Balls of Fire! (1989)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Still Photographer
The Brother from Another Planet (1984)
Directed by: John Sayles
Cinematography by: Ernest R. Dickerson
Edited by: John Sayles
Cameras: ARRIFLEX 35 BL2 Camera
Lenses: Angenieux Lenses, Zeiss Lenses
