Executive In Charge Of Production: Big Beach
Safety Not Guaranteed (2012)
Directed by: Colin Trevorrow
Cinematography by: Benjamin Kasulke
Cameras: Sony PMW-F3 Camera
Post-production Accountant
Our Idiot Brother (2011)
Directed by: Jesse Peretz
Cinematography by: Yaron Orbach
Accountant: Post-production
Jack Goes Boating (2010)
Directed by: Philip Seymour Hoffman
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Lenses: Cooke S4 Lenses
Production Accountant
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Head Of Physical Production And Finance: Big Beach
Away We Go (2009)
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Accountant: USA
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Production Accountant
Perfect Stranger (2007)
Directed by: James Foley
Cinematography by: Anastas N. Michos
Edited by: Christopher Tellefsen
Co-production Compliance
Eastern Promises (2007)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
Production Accountant: New York
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Production Accountant
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Production Accountant
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Production Accountant: New York
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Co-producer
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Vice President: Physical Production/production Finance
I Am David (2003)
Directed by: Paul Feig
Cinematography by: Roman Osin
Edited by: Steven Weisberg
Senior Consultant: Film Production, Anschutz Corp. / Vice President: Physical Production/production Finance
Holes (2003)
Directed by: Andrew Davis
Cinematography by: Stephen St. John
Production Accountant
Serendipity (2001)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Edited by: Christopher Greenbury
Production Accountant
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Production Supervisor
Before Night Falls (2000)
Directed by: Julian Schnabel
Edited by: Michael Berenbaum
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Financial Representative
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Production Accountant, Production Supervisor
He Got Game (1998)
Directed by: Spike Lee
Edited by: Barry Alexander Brown
Production Accountant
Dead Presidents (1995)
Cinematography by: Lisa Rinzler
Edited by: Dan Lebental
Cameras: Panavision Panaflex Gold II Camera
Assistant Auditor, Post-production Accountant
A Bronx Tale (1993)
Directed by: Robert De Niro
Cinematography by: Reynaldo Villalobos
Cameras: Panavision Cameras
Lenses: Panavision Lenses