Chris Diebold

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Temp Re-recording Mixer

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Sonic the Hedgehog | ShotOnWhat?

Additional Sound Designer

Sonic the Hedgehog (2020)

Directed by: Jeff Fowler

Cinematography by: Stephen F. Windon

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Pokémon Detective Pikachu | ShotOnWhat?

Sound Effects Editor, Sound Effects Editor: E2

Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Meg | ShotOnWhat?

Sound Effects Editor: E2

The Meg (2018)

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Transformers: The Last Knight | ShotOnWhat?

Sound Effects Editor: E2

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Battle of the Sexes | ShotOnWhat?

Sound Effects Editor

Battle of the Sexes (2017)

Directed by: Jonathan Dayton, Valerie Faris

Cinematography by: Linus Sandgren

Edited by: Pamela Martin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR Zoom Lenses, Canon CN-E Series Lenses, Canon K35 Prime Lenses, Kowa Lenses

Spider-Man: Homecoming | ShotOnWhat?

Sound Effects Editor

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

The Huntsman: Winter's War | ShotOnWhat?

Sound Effects Editor

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

13 Hours: The Secret Soldiers of Benghazi | ShotOnWhat?

Sound Effects Editor: E2

13 Hours: The Secret Soldiers of Benghazi (2016)

Directed by: Michael Bay

Cinematography by: Dion Beebe

Edited by: Michael McCusker, Pietro Scalia, Calvin Wimmer

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro HD Hero3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Live by Night | ShotOnWhat?

Sound Effects Editor

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

The Bronze | ShotOnWhat?

Sound Designer

The Bronze (2015)

Directed by: Bryan Buckley

Cinematography by: Scott Henriksen

Edited by: Jay Nelson

Cameras: Red Epic Camera

Joy | ShotOnWhat?

Sound Effects Editor

Joy (2015)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

That Awkward Moment | ShotOnWhat?

Sound Effects Editor

That Awkward Moment (2014)

Directed by: Tom Gormican

Cinematography by: Brandon Trost

Edited by: Shawn Paper, Greg Tillman

Cameras: ARRI ALEXA Plus Camera

The Legend of Hercules | ShotOnWhat?

Sound Effects Editor

The Legend of Hercules (2014)

Directed by: Renny Harlin

Cinematography by: Sam McCurdy

Edited by: Vincent Tabaillon

Cameras: Red Epic Camera

Scary Movie 5 | ShotOnWhat?

Supervising Sound Designer

Scary Movie 5 (2013)

Directed by: Malcolm D. Lee, David Zucker

Cinematography by: Steven Douglas Smith

Edited by: Sam Seig

Cameras: ARRI ALEXA Camera

Phantom | ShotOnWhat?

Foley Editor

Phantom (2013)

Directed by: Todd Robinson

Cinematography by: Byron Werner

Edited by: Terel Gibson

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses

Evil Dead | ShotOnWhat?

Sound Effects Editor

Evil Dead (2013)

Directed by: Fede Alvarez

Cinematography by: Aaron Morton

Edited by: Bryan Shaw

Cameras: Sony CineAlta F65 Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

6 Bullets | ShotOnWhat?

Assistant Sound Editor

6 Bullets (2012)

Directed by: Ernie Barbarash

Cinematography by: Phil Parmet

Edited by: Peter Devaney Flanagan

The Man with the Iron Fists | ShotOnWhat?

Assistant Sound Editor

The Man with the Iron Fists (2012)

Directed by: RZA

Cinematography by: Chi-Ying Chan

Edited by: Joe D'Augustine

Cameras: Red One MX Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

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