Key Grip
Choose Connor (2007)
Directed by: Lucas Elliot Eberl
Cinematography by: Jim Timperman
Edited by: Lucas Elliot Eberl
Gaffer: Additional Photography / Key Grip
Simon Says (2006)
Directed by: William Dear
Cinematography by: Bryan Greenberg
Edited by: Chris Conlee
Set Construction
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Visual Effects Coordinator
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Grip
Landspeed (2002)
Directed by: Christian McIntire
Cinematography by: Todd Barron
Cameras: Panavision Panaflex Gold Camera
Lenses: Panavision Lenses
Visual Effects Director Of Photography
The Omega Code (1999)
Directed by: Robert Marcarelli
Cinematography by: Carlos González
Visual Effects Director Of Photography / Visual Effects Producer
My Favorite Martian (1999)
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell
Visual Effects Director Of Photography / Visual Effects Line Producer: 4-Ward Productions
Hard Rain (1998)
Directed by: Mikael Salomon
Cinematography by: Peter Menzies Jr.
Visual Effects Director Of Photography / Visual Effects Supervisor
Mousehunt (1997)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Visual Effects Director Of Photography: 4-Ward Productions
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Visual Effects Director Of Photography
No Escape (1994)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 BL4 Camera
Gaffer
Deadfall (1993)
Directed by: Christopher Coppola
Cinematography by: Maryse Alberti
Edited by: Phillip Linson
Visual Effects Director Of Photography
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Rigging Gaffer
Sunstroke (1992)
Directed by: James Keach
Cinematography by: Ross A. Maehl
Edited by: Ed Rothkowitz
Gaffer: 4-Ward Productions
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Gaffer: 4-Ward Productions
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Special Effects Director Of Photography: True Vision Effects
Freddy's Dead: The Final Nightmare (1991)
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton
Visual Effects Gaffer
Tremors (1990)
Directed by: Ron Underwood
Cinematography by: Alexander Gruszynski
Edited by: O. Nicholas Brown
Gaffer: Los Angeles Surface Unit
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Grip
Masters of the Universe (1987)
Directed by: Gary Goddard
Cinematography by: Hanania Baer
Edited by: Anne V. Coates
Electrician
Runaway Train (1985)
Directed by: Andrey Konchalovskiy
Cinematography by: Alan Hume
Edited by: Henry Richardson
Electrician
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Construction Electrician
Android (1982)
Directed by: Aaron Lipstadt
Cinematography by: Tim Suhrstedt
Edited by: Andy Horvitch
Cameras: ARRI Cameras
Art Department Electrician
Galaxy of Terror (1981)
Directed by: Bruce D. Clark
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
