Lead Digital Artist: Sony Pictures Imageworks
The Meg (2018)
Directed by: Jon Turteltaub
Cinematography by: Tom Stern
Digital Matte Painter
Pelé: Birth of a Legend (2016)
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Digital Matte Painter
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Digital Matte Painter
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Digital Matte Painter
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Digital Matte Painter
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Lead Matte Painter: Atmosphere
Chronicle (2012)
Directed by: Josh Trank
Cinematography by: Matthew Jensen
Edited by: Elliot Greenberg
Lead Digital Matte Painter: Atmosphere Visual Effects
Apollo 18 (2011)
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Digital Matte Painter
The Thaw (2009)
Directed by: Mark A. Lewis
Cinematography by: Jan Kiesser
Edited by: Rob Neilson
Digital Matte Painter
Snow Buddies (2008)
Directed by: Robert Vince
Cinematography by: Kamal Derkaoui
Edited by: Kelly Herron
Digital Matte Painter
Babylon 5: The Lost Tales (2007)
Cinematography by: Karl Herrmann
Edited by: Stein Myhrstad
Digital Matte Artist: Atmosphere Feature Effects
Air Buddies (2006)
Directed by: Robert Vince
Cinematography by: Mike Southon
Matte Painter: GVFX
The Santa Clause 2 (2002)
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer
Computer Graphics Artist
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
