Brooke Lyndon-Stanford

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John Wick: Chapter 4 | ShotOnWhat?

Visual Effects Executive Producer: Atomic Arts

John Wick: Chapter 4 (2023)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Nathan Orloff

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Visual Effects Executive Producer: Atomic Arts, Visual Effects Supervisor: Atomic Arts

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

The Batman | ShotOnWhat?

Visual Effects Supervisor: Atomic Arts

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Dexter: New Blood | ShotOnWhat?

VFX Supervisor: Atomic Arts - 4 Episodes, 2021

Dexter: New Blood (2021)

Television Series

Directed by: Marcos Siega

Cameras: ARRI ALEXA Mini LF Camera

"Game of Thrones" The Bells | ShotOnWhat?

Visual Effects Supervisor: Atomic Arts

'Game of Thrones' The Bells (2019)

Television Episode

Directed by: Miguel Sapochnik

Cinematography by: Fabian Wagner

Edited by: Tim Porter

Wounds | ShotOnWhat?

Vfx Supervisor: Atomic Arts

Wounds (2019)

Directed by: Babak Anvari

Cinematography by: Kit Fraser

Edited by: Chris Barwell

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses

"Game of Thrones" The Long Night | ShotOnWhat?

Visual Effects Supervisor: Atomic Arts

'Game of Thrones' The Long Night (2019)

Television Episode

Directed by: Miguel Sapochnik

Cinematography by: Fabian Wagner

Edited by: Tim Porter

Red Sparrow | ShotOnWhat?

Visual Effects Supervisor: Atomic Arts

Red Sparrow (2018)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

First Reformed | ShotOnWhat?

Executive Producer, Visual Effects Supervisor: Atomic Arts

First Reformed (2017)

Directed by: Paul Schrader

Cinematography by: Alexander Dynan

Edited by: Benjamin Rodriguez Jr.

Cameras: ARRI ALEXA SXT Series Cameras

Goodbye Christopher Robin | ShotOnWhat?

Visual Effects Supervisor

Goodbye Christopher Robin (2017)

Directed by: Simon Curtis

Cinematography by: Ben Smithard

Edited by: Victoria Boydell

It | ShotOnWhat?

Visual Effects Supervisor: Atomic Arts

It (2017)

Directed by: Andy Muschietti

Cinematography by: Chung-hoon Chung

Edited by: Jason Ballantine

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Stranger Things | ShotOnWhat?

Visual Effects Supervisor: Atomic Arts - 2 Episodes, 2019

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Martian | ShotOnWhat?

Visual Effects Supervisor: Atomic Arts

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Fishing Without Nets | ShotOnWhat?

Visual Effects Supervisor

Fishing Without Nets (2014)

Directed by: Cutter Hodierne

Cinematography by: Alex Disenhof

Edited by: Cutter Hodierne, Dominic LaPerriere

Cameras: Red Epic Camera, Red Scarlet Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Super Speed Lenses

The Gambler | ShotOnWhat?

Visual Effects Supervisor

The Gambler (2014)

Directed by: Rupert Wyatt

Cinematography by: Greig Fraser

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Into the Woods | ShotOnWhat?

Visual Effects Supervisor: Atomic Arts

Into the Woods (2014)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Visual Effects Supervisor: Atomic Arts

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Game of Thrones | ShotOnWhat?

Visual Effects Supervisor: Atomic Arts - 2 Episodes, 2019

Game of Thrones (2011)

Television Series

Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman

Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson

Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles

Cameras: ARRI ALEXA Camera, ARRI ALEXA Mini Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Editing System: Avid Editing System

Rise of the Planet of the Apes | ShotOnWhat?

Visual Effects Supervisor: Atomic Arts

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Escapist | ShotOnWhat?

Visual Effects Supervisor

The Escapist (2008)

Directed by: Rupert Wyatt

Cinematography by: Philipp Blaubach

Edited by: Joe Walker

From Within | ShotOnWhat?

Visual Effects Supervisor: Atomic Arts

From Within (2008)

Directed by: Phedon Papamichael

Cinematography by: Rafael E. Sánchez

Edited by: Michael Matzdorff

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