Stand-in/photo Double: Jonathan Groff
'Mindhunter' Episode #1.1 (2017)
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Stand-in: Jonathan Groff
'Mindhunter' Episode #1.4 (2017)
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Stand-in: Jonathan Groff
'Mindhunter' Episode #1.3 (2017)
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Stand-in: Jonathan Groff
'Mindhunter' Episode #1.2 (2017)
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Stand-in: Jonathan Groff
'Mindhunter' Episode #1.5 (2017)
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Stand-in: Jonathan Groff
'Mindhunter' Episode #1.6 (2017)
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Stand-in: Jonathan Groff
'Mindhunter' Episode #1.8 (2017)
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Stand-in: Jonathan Groff
'Mindhunter' Episode #1.7 (2017)
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Stand-in: Jonathan Groff
'Mindhunter' Episode #1.10 (2017)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Stand-in: Jonathan Groff
'Mindhunter' Episode #1.9 (2017)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Stand-in: Jonathan Groff / Stand-in/photo Double: Jonathan Groff - 10 Episodes, 2017
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Stand-in/photo Double: Chris Pine
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Stand-in: Bradley Cooper/Édgar Ramírez
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Stand-in: Russell Crowe
Fathers & Daughters (2015)
Directed by: Gabriele Muccino
Cinematography by: Shane Hurlbut
Edited by: Alex Rodríguez
Cameras: Canon EOS-C500 Camera, Red Epic Camera
Stand-in: Mr. Christian Bale
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Stand-in/photo Double: Christian Bale
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Photo Double: Tom Cruise / Utility Stand-in
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Stand-in: Peter Facinelli / Stand-in: Robert Pattinson, Second Unit
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Stand-in: Christian Bale
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Photo Double: Jason O'Mara
One for the Money (2012)
Directed by: Julie Anne Robinson
Cinematography by: Jim Whitaker
Edited by: Lisa Zeno Churgin
Stand-in/photo Double: Alex Pettyfer
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Additional Set Production Assistant , Stand-in: Joel Edgerton / Stand-in: Tom Hardy
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Stand-in: Peter Facinelli / Stand-in: Taylor Lautner
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Photo Double/stand-in: Chris Pine
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Stand-in: Mr. Mortensen
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
